Parody, E.E. Cummings, and Uncle Tom's Cabin.
- Published in:
- Modern Drama, 2014, v. 57, n. 2, p. 187, doi. 10.3138/md.0577
- By:
- Publication type:
- Article
Works matching IS 00267694 AND DT 2014 AND VI 57 AND IP 2
Results: 7
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Rethinking Sarah Kane's Characters: A Human(ist) Form and Politics.
- Published in:
- Modern Drama, 2014, v. 57, n. 2, p. 252, doi. 10.3138/0586R.252
- By:
- Publication type:
- Article
3
Ventriloquist Theatre and the Omniscient Narrator: Gatz and El pasado es un animal grotesco.
- Published in:
- Modern Drama, 2014, v. 57, n. 2, p. 165, doi. 10.3138/MD.0623
- By:
- Publication type:
- Article
4
'Remove Your Mask': Character Psychology in Introspective Musical Theatre - Sondheim's Follies, LaChiusa's The Wild Party, and Stew's Passing Strange.
- Published in:
- Modern Drama, 2014, v. 57, n. 2, p. 229, doi. 10.3138/md.0603
- By:
- Publication type:
- Article
5
The Chronotopic Dynamics of Ibsen's Pillars of Society: The Triumph of Industrialism, or How Drama Becomes History.
- Published in:
- 2014
- By:
- Publication type:
- Essay
6
Reviews.
- Published in:
- Modern Drama, 2014, v. 57, n. 2, p. 273, doi. 10.3138/md.2014-57.2.brev
- Publication type:
- Article
7
'A Little History Here, a Little Hollywood There': (Counter-)Identifying with the Spanish Fantasy in Carlos Morton's Rancho Hollywood and Theresa Chavez's L.A. Real.
- Published in:
- Modern Drama, 2014, v. 57, n. 2, p. 207, doi. 10.3138/md.0433R
- By:
- Publication type:
- Article