Revisiting "Marat/Sade": Philosophy in the Asylum, Asylum in the Theatre.Published in:2013By:Beggs, AnnePublication type:Literary Criticism
"These Noxious Microbes": Pathological Dramaturgy in George Bernard Shaw's "Too True to Be Good."Published in:2013By:Wixson, ChristopherPublication type:Essay
Bernard Shaw's Stalinist Allegory: "The Simpleton of the Unexpected Isles."Published in:2013By:Yde, MatthewPublication type:Literary Criticism
To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in "Through the Wire."Published in:2013By:Wake, CarolinePublication type:Literary Criticism
10 Ways of Thinking about Samuel Beckett: The Falsetto of Reason.Published in:2013By:Gontarski, S. E.Publication type:Book Review
Harold Pinter's "More Precisely Political" Dramas, or a Post-1983 Economy of Affect.Published in:2013By:Chiasson, BasilPublication type:Essay
Mobilizing Maurya: J. M. Synge, Bertolt Brecht, and the Revolutionary Mother.Published in:2013By:Harris, Susan CannonPublication type:Essay