Rewriting Russia: Jacob Gordin's Yiddish Drama.Published in:2012By:Caplan, DebraPublication type:Book Review
The Letters of Samuel Beckett: 1941-1956.Published in:2012By:Brater, EnochPublication type:Book Review
A Tongue Not Mine: Beckett and Translation.Published in:2012By:Thurston, LukePublication type:Book Review
Brian Friel: Theatre and Politics.Published in:2012By:Russell, Richard RankinPublication type:Book Review
Shaw, Synge, Connolly, and Socialist Provocation.Published in:2012By:Alexander, JamesPublication type:Book Review
Staging a "Plurality of Vision": Diasporic Performance in Polycharacter Monodrama.Published in:Modern Drama, 2012, v. 55, n. 3, p. 304, doi. 10.3138/md.55.3.304By:Tilley, ElspethPublication type:Article
"The <strike>Philadelphia</strike> Harlem Story": Langston Hughes's Screwy Play "Little Ham."Published in:2012By:Emery, SharynPublication type:Literary Criticism
The Canonization of Christopher Shinn: A Modest Proposal on Ethics.Published in:2012By:Bottoms, StephenPublication type:Literary Criticism
"Drowned in Rabelaisian Laughter": Germans as Grotesque Comic Figures in the Plays of Tennessee Williams.Published in:2012By:Saddik, Annette J.Publication type:Literary Criticism
A London Legacy of Ira Aldridge: Henry Francis Downing and the Paratheatrical Poetics of Plot and Cast(e).Published in:2012By:Roberts, Brian RussellPublication type:Literary Criticism
Reality Principles: From the Absurd to the Virtual.Published in:2012By:Bay-Cheng, SarahPublication type:Book Review
Ibsen's "John Gabriel Borkman" and Time.Published in:2012By:Sørensen, Eli ParkPublication type:Literary Criticism