Situating Opera: Period, Genre, Reception.Published in:2012By:Dwinell, SamuelPublication type:Book Review
Social Works: Performing Art, Supporting Publics.Published in:2012By:Kuftinec, Sonja ArshamPublication type:Book Review
Performing Remains: Art and War in Times of Theatrical Reenactment.Published in:2012By:Cesare, T. NikkiPublication type:Book Review
Philosophers and Thespians: Thinking Performance.Published in:2012By:Krasner, DavidPublication type:Book Review
Myth and Narrative in Mark Ravenhill's "Shopping and F##king."Published in:2012By:Horan, ThomasPublication type:Literary Criticism
Oscar Wilde's "Jewish Problem": Salomé, the Ancient Hebrew and the Modern Jewess.Published in:2012By:Salamensky, S. I.Publication type:Literary Criticism
Engaging Performance: Theatre as Call and Response.Published in:2012By:Noriega, Jimmy A.Publication type:Book Review
Subversion, Refusal, and Contingency: The Transgression of Liberal-Humanist Subjectivity and Characterization in Sarah Kane's "Cleansed," "Crave," and "4.48 Psychosis."Published in:2012By:Delgado-García, CristinaPublication type:Literary Criticism
Second Skin: Josephine Baker and the Modern Surface.Published in:2012By:Brown, JudithPublication type:Book Review
The Arab Oedipus: Oriental Perspectives on the Myth.Published in:2012By:Mahfouz, Safi MahmoudPublication type:Literary Criticism
"Noli Me Tangere": Haptic Certitude in Beckett's "Eh Joe" and "Nacht und Träume."Published in:Modern Drama, 2012, v. 55, n. 2, p. 216, doi. 10.3138/md.55.2.216By:McTighe, TrishPublication type:Article