“They got . . .”: Ernest J. Gaines’s Semiotic Reversal of William Faulkner.
- Published in:
- Mississippi Quarterly, 2022, v. 75, n. 4, p. 437, doi. 10.1353/mss.2022.a913485
- By:
- Publication type:
- Article
Works matching IS 0026637X AND DT 2022 AND VI 75 AND IP 4
Results: 5
1
2
Watson’s Faulkner: A Most Splendid Contribution.
- Published in:
- 2022
- By:
- Publication type:
- Literary Criticism
3
Pheoby’s Queer Quietness in Their Eyes Were Watching God.
- Published in:
- Mississippi Quarterly, 2022, v. 75, n. 4, p. 405, doi. 10.1353/mss.2022.a913484
- By:
- Publication type:
- Article
4
“Southern Living from a Bygone Time”: Gothic Spatialization of History in Gillian Flynn’s Sharp Objects.
- Published in:
- Mississippi Quarterly, 2022, v. 75, n. 4, p. 381, doi. 10.1353/mss.2022.a913483
- By:
- Publication type:
- Article
5
Affective Whiplash and Absurdity in George Schuyler’s Black No More.
- Published in:
- 2022
- By:
- Publication type:
- Literary Criticism