From "Ha he hi ho hu. Mummum" to"Haw! Hell! Haw!": Listening to Laughter in Joyce and Beckett.Published in:2009By:Janus, AdriennePublication type:Literary Criticism
Outselves: Beckett, Bion and Beyond.Published in:2009By:Thurston, LukePublication type:Literary Criticism
Phenomenology of Absence: Benjamin, Nietzsche and History in Cees Nooteboom's "All Souls Day."Published in:2009By:Broadbent, PhilipPublication type:Literary Criticism
"I Was Convulsed, Pitiably Hideous": Convulsive Shock Treatment in Leonora Carrington's "Down Below."Published in:2009By:Hoff, AnnPublication type:Essay
"Yes, it can be sad, the sun in the afternoon": Kristevan Depression in Jean Rhys's "Good Morning, Midnight."Published in:2009By:Czarnecki, KristinPublication type:Essay
Relativity, Quantum Physics, and Consciousness in Virginia Woolf's "To the Lighthouse."Published in:2009By:Brown, Paul TolliverPublication type:Essay
Competing with "the barbarous clangour of a gong": Why "Theme of the Traitor and the Hero" begins in "Nineteen Hundred and Nineteen."Published in:2009By:Sheehan, RebeccaPublication type:Essay