Ethics in the Second Degree: Trauma and Dual Narratives in Jonathan Safran Foer's "Everything Is Illuminated."Published in:2008By:Collado-Rodriguez, FranciscoPublication type:Essay
The Banality of the Document: Charles Reznikoff's "Holocaust" and Ineloquent Empathy.Published in:2008By:Carmody, ToddPublication type:Essay
From Transmissions of Madness to Machines of Writing: Mina Loy's "Insel" as Clinical Fantasy.Published in:2008By:Gaedtke, AndrewPublication type:Literary Criticism
Gertrude Stein's "Everybody's Autobiography" and the Art of Contradictions.Published in:2008By:Galow, Timothy W.Publication type:Literary Criticism
"One must have tradition in oneself, to hate it properly": Elfriede Jelinek's Musicality.Published in:2008By:Powell, Larson;Bethman, BrendaPublication type:Essay
Theories of Memory: Developing a Canon.Published in:2008By:Freedman, ArielaPublication type:Book Review
Bestial Representations of Otherness: Kafka's Animal Stories.Published in:2008By:Powell, Matthew T.Publication type:Essay
The Truth Hurts: The Ethics of Philip Roth's "Autobiographical" Books.Published in:2008By:Gooblar, DavidPublication type:Essay
Trauma and Cure in Rebecca West's "The Return of the Soldier."Published in:2008By:Pinkerton, StevePublication type:Essay
The Poetics of Dwelling: A Consideration of Heidegger, Kafka, and Michael K.Published in:2008By:Meljac, Eric PaulPublication type:Literary Criticism
Utopia and Apocalypse in Samuel Delany's "The Mad Man."Published in:2008By:Davidson, GuyPublication type:Essay