Works matching IS 00218529 AND DT 2006 AND VI 64 AND IP 1
Results: 19
Theses on Cinema as Philosophy.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 11, doi. 10.1111/j.0021-8529.2006.00225.x
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- Article
Introduction.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 1, doi. 10.1111/j.0021-8529.2005.00224.x
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- Article
Beyond Mere Illustration: How Films Can Be Philosophy.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 19, doi. 10.1111/j.0021-8529.2006.00226.x
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- Article
Film Art, Argument, and Ambiguity.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 33, doi. 10.1111/j.0021-8529.2005.00227.x
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- Article
Hitchcock and Cavell.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 43, doi. 10.1111/j.0021-8529.2006.00228.x
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- Article
The Paradox of the Unknown Lover: A Reading of Letter from an Unknown Woman.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 55, doi. 10.1111/j.0021-8529.2006.00229.x
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- Article
Spike Lee and the Sympathetic Racist.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 67, doi. 10.1111/j.0021-8529.2006.00230.x
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- Article
Transparency and Twist in Narrative Fiction Film.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 81, doi. 10.1111/j.0021-8529.2006.00231.x
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- Article
The Impersonation of Personality: Film as Philosophy in Mission: Impossible.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 97, doi. 10.1111/j.0021-8529.2006.00232.x
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- Article
On Being Philosophical and Being John Malkovich.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 111, doi. 10.1111/j.0021-8529.2006.00233.x
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- Article
Eternal Sunshine of the Spotless Mind and the Morality of Memory.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 119, doi. 10.1111/j.0021-8529.2006.00234.x
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- Article
Sartre, the Philosophy of Nothingness, and the Modern Melodrama.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 135, doi. 10.1111/j.0021-8529.2006.00235.x
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- Article
Cinema and Subjectivity in Krzysztof Kieslowski.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 147, doi. 10.1111/j.0021-8529.2006.00236.x
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- Article
Is Sex Comedy or Tragedy? Directing Desire and Female Auteurship in the Cinema of Catherine Breillat.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 157, doi. 10.1111/j.0021-8529.2006.00237.x
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- Article
Apperception on Display: Structural Films and Philosophy.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 165, doi. 10.1111/j.0021-8529.2006.00238.x
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- Article
Philosophizing Through the Moving Image: The Case of Serene Velocity.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 173, doi. 10.1111/j.0021-8529.2006.00239.x
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- Article
The Substance of Cinema.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 187, doi. 10.1111/j.0021-8529.2006.00240.x
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- Article
The World Rewound: Peter Forgács's Wittgenstein Tractatus.
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- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 199, doi. 10.1111/j.0021-8529.2006.00241.x
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- Article
Contributors.
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- 2006
- Publication type:
- Other