Works matching IS 00218529 AND DT 2000 AND VI 58 AND IP 2
Results: 10
Improvisation in Cezanne's late landscapes.
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- Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 191, doi. 10.2307/432098
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Improvisation in dance.
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- Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 181, doi. 10.2307/432097
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Improvisation, creativity, and formulaic language.
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- Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 173, doi. 10.2307/432096
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Revision, prevision, and the aura of improvisatory art.
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- Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 163, doi. 10.2307/432095
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Improvisation and the creative process: Dewey, Collingwood, and the aesthetics of spontaneity.
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- Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 149, doi. 10.2307/432094
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The essential role of improvisation in musical performance.
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- Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 143, doi. 10.2307/432093
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Playing by the rules: A pragmatic characterization of musical performances.
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- Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 135, doi. 10.2307/432092
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`Feeling my way': Jazz improvisation and its vicissitudes--a plea for imperfection.
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- Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 113, doi. 10.2307/432090
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Knowing as instancing: Jazz improvisation and moral perfectionism.
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- Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 99, doi. 10.2307/432089
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The metaphysics of jazz.
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- Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 125, doi. 10.2307/432091
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- Article