Works matching IS 00218529 AND DT 1997 AND VI 55 AND IP 2
Results: 9
Wim Wenders and the everyday aesthetics of technology and space.
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- Journal of Aesthetics & Art Criticism, 1997, v. 55, n. 2, p. 215, doi. 10.2307/431265
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Escaping reality: Digital imagery and the resources of photography.
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- Journal of Aesthetics & Art Criticism, 1997, v. 55, n. 2, p. 201, doi. 10.2307/431264
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The ontology of mass art.
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- Journal of Aesthetics & Art Criticism, 1997, v. 55, n. 2, p. 187, doi. 10.2307/431263
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Technology, appreciation, and the historical view of art.
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- Journal of Aesthetics & Art Criticism, 1997, v. 55, n. 2, p. 169, doi. 10.2307/431262
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Innovation and conservatism in performance practice.
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- Journal of Aesthetics & Art Criticism, 1997, v. 55, n. 2, p. 151, doi. 10.2307/431261
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So, you want to sing with The Beatles? Too late!
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- Journal of Aesthetics & Art Criticism, 1997, v. 55, n. 2, p. 129, doi. 10.2307/431259
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- Article
The art of interaction: Interactivity, performativity, and computers.
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- Journal of Aesthetics & Art Criticism, 1997, v. 55, n. 2, p. 117, doi. 10.2307/431258
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The vitality of digital creation.
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- Journal of Aesthetics & Art Criticism, 1997, v. 55, n. 2, p. 107, doi. 10.2307/431257
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Listening to music: Performances and recordings.
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- Journal of Aesthetics & Art Criticism, 1997, v. 55, n. 2, p. 139, doi. 10.2307/431260
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- Article