FEIGNING THE ANAESTHETISATION OF LITERARY INVENTIVENESS: GÜNTER GRASS'S ÖRTLICH BETÄUBT AND THE PUBLIC RESPONSIBILITY OF THE POLITICALLY ENGAGED AUTHOR.Published in:1997By:TABERNER, STUARTPublication type:Literary Criticism
GENDER, GENRE AND POLITICS IN FRENCH DETECTIVE FICTION OF THE 1930s: CAMILLE HEDWIGE'S L'APPEL DE LA MORTE.Published in:1997By:HAMILTON, DEBORAH E.Publication type:Literary Criticism
SELF-REFLEXIVENESS AND THE CATEGORY OF THE WILL IN EARLY TROUBADOUR POETRY OF FIN' AMORS.Published in:1997By:KLASSEN, NORMANPublication type:Poetry Review
THE NARRATIVITY OF JONATHAN WILD IN DEFOE'S ACCOUNT OF JONATHAN WILD AND FIELDING'S THE LIFE OF JONATHAN WILD THE GREAT.Published in:Forum for Modern Language Studies, 1997, v. XXXIV, n. 1, p. 16By:DIYEN, HAYATPublication type:Article
VISIBLE ART AND VISIBLE ARTISTS: REFLEXIVITY AND METATHEATRICALITY IN AS YOU LIKE IT.Published in:1997By:PARRY, P. H.Publication type:Literary Criticism