Theatre and Ideology: Staging The Merchant of Venice at the Hungarian National Theatre in 1940 and 1986.
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- European Judaism, 2018, v. 51, n. 2, p. 213, doi. 10.3167/ej.2017.510228
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- Article
Works matching IS 00143006 AND DT 2018 AND VI 51 AND IP 2
Results: 29
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The Merchant ON Venice [Boulevard, Los Angeles], Chicago, 2007: Universalizing Shakespeare's Play after the Holocaust.
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- European Judaism, 2018, v. 51, n. 2, p. 223, doi. 10.3167/ej.2017.510229
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The Image of Jews as Constructed by Lexical Items: Translations of Shakespeare's The Merchant of Venice as a Case in Point.
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- European Judaism, 2018, v. 51, n. 2, p. 205, doi. 10.3167/ej.2017.510227
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4
Identity and Gender Politics in Contemporary Shakespearean Rewriting: Julia Pascal's The Yiddish Queen Lear.
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- European Judaism, 2018, v. 51, n. 2, p. 196, doi. 10.3167/ej.2017.510226
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5
Arnold Wesker's Rewriting of Shylock in The Merchant (1976) with a Purpose.
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- European Judaism, 2018, v. 51, n. 2, p. 186, doi. 10.3167/ej.2017.510225
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6
Wrestling with Shylock: Contemporary British Jewish Theatre and Shakespeare's The Merchant of Venice.
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- European Judaism, 2018, v. 51, n. 2, p. 175, doi. 10.3167/ej.2017.510224
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7
Shylock in Buchenwald: Hanan Snir's Israeli-German Production (Weimar 1995).
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- European Judaism, 2018, v. 51, n. 2, p. 165, doi. 10.3167/ej.2017.510223
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8
A Hebrew Take on Shylock on the New York Stage: Shylock '47 at the Pargod Theatre (1947).
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- European Judaism, 2018, v. 51, n. 2, p. 159, doi. 10.3167/ej.2017.510222
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9
Shylock and the Nazis: Continuation or Reinvention?.
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- European Judaism, 2018, v. 51, n. 2, p. 152, doi. 10.3167/ej.2017.510221
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10
Teatrum Mundi: Teaching Shakespeare Performance to Israeli Medical Students.
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- European Judaism, 2018, v. 51, n. 2, p. 143, doi. 10.3167/ej.2017.510220
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11
Redefining Censorship: Lessons Learned from Teaching The Merchant of Venice in Israel.
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- European Judaism, 2018, v. 51, n. 2, p. 134, doi. 10.3167/ej.2017.510219
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12
'Go out and learn': Shakespeare, Bildung and the Jewish Youth Movement in Germany between Integration and Jewish Self-Identification.
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- European Judaism, 2018, v. 51, n. 2, p. 124, doi. 10.3167/ej.2017.510218
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13
Shylock in the Cinema: Michael Radford's The Merchant of Venice.
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- European Judaism, 2018, v. 51, n. 2, p. 116, doi. 10.3167/ej.2017.510217
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14
The Merchant of Venice in the Hebrew Press.
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- European Judaism, 2018, v. 51, n. 2, p. 106, doi. 10.3167/ej.2017.510216
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15
Triangulation as a Problem in the Plays and Sonnets.
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- European Judaism, 2018, v. 51, n. 2, p. 59, doi. 10.3167/ej.2017.510210
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16
Biblical Echoes in Meir Wieseltier's Hebrew Translation of Macbeth.
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- European Judaism, 2018, v. 51, n. 2, p. 91, doi. 10.3167/ej.2017.510214
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17
The Word of the Lord to Shylock: Biblical Forms in the Translations of Shakespeare's The Merchant of Venice to Hebrew.
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- European Judaism, 2018, v. 51, n. 2, p. 83, doi. 10.3167/ej.2017.510213
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18
The Use of Biblicizing Techniques in Isaac Salkinson's Hebrew Translations: Hebrew Literature and Christian Mission.
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- European Judaism, 2018, v. 51, n. 2, p. 74, doi. 10.3167/ej.2017.510212
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19
The Task of the Hebrew Translation: Reading into Othello's Indian/Iudean Crux in the First Hebrew Translation.
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- European Judaism, 2018, v. 51, n. 2, p. 67, doi. 10.3167/ej.2017.510211
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20
הַאִם אַתָּה דּוֹמֶה לְיוֹם אָבִיב? Anna Herman Translates the Sonnets.
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- European Judaism, 2018, v. 51, n. 2, p. 97, doi. 10.3167/ej.2017.510215
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21
Deproblematizing The Merchant of Venice Text, and Pretexts for Changing Subtext.
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- European Judaism, 2018, v. 51, n. 2, p. 52, doi. 10.3167/ej.2017.510209
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22
The Exceptions to the Rule: Jews in Shakespeare's England.
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- European Judaism, 2018, v. 51, n. 2, p. 6, doi. 10.3167/ej.2017.510203
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23
'Which is the merchant here, and which the Jew?': Alterity, Sameness and Irony in Venice.
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- European Judaism, 2018, v. 51, n. 2, p. 36, doi. 10.3167/ej.2017.510207
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24
Jewish Renegades and Renegade Jews in Robert Daborne's A Christian Turned Turk.
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- European Judaism, 2018, v. 51, n. 2, p. 30, doi. 10.3167/ej.2017.510206
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25
Aemilia Bassano Lanier's New Perspective on Women in the Poem: Salve Deus Rex Judaeorum.
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- European Judaism, 2018, v. 51, n. 2, p. 22, doi. 10.3167/ej.2017.510205
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26
Elizabethan Orientalia: 'Jews' in Late Tudor England and the Ottoman Jews.
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- European Judaism, 2018, v. 51, n. 2, p. 13, doi. 10.3167/ej.2017.510204
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27
Shylock, the Devil and the Meaning of Deception in The Merchant of Venice.
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- European Judaism, 2018, v. 51, n. 2, p. 44, doi. 10.3167/ej.2017.510208
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28
Introduction.
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- European Judaism, 2018, v. 51, n. 2, p. 1, doi. 10.3167/ej.2017.510202
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29
Editorial.
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- European Judaism, 2018, v. 51, n. 2, p. 1, doi. 10.3167/ej.2017.510201
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