English Literature in Contradiction.Published in:English Literature in Transition, 1880-1920, 2020, v. 63, n. 4, p. 644By:Gagnier, RegeniaPublication type:Article
Uncovering the Influence of Mary Eliza Haweis in Mina Loy's "Anglo-Mongrels and the Rose": "Consider your mother-in-law's stays".Published in:2020By:Whalen, Charlotte AnnePublication type:Literary Criticism
Evoking Charles Dickens's St. Evrémonde and Gaspard in Edith Nesbit's "The Violet Car": "Drive Him Fast to His Tomb".Published in:2020By:Thompson, Terry W.Publication type:Literary Criticism
Edward Thomas and the Imagination.Published in:English Literature in Transition, 1880-1920, 2020, v. 63, n. 4, p. 580By:Brooks, MartinPublication type:Article
Seeking the "Irish Dimension" in Oscar Wilde's The Picture of Dorian Gray: "What Does This Mean?".Published in:2020By:Haslam, RichardPublication type:Literary Criticism
"The Portrait of Mr W. H.," Textual Identity, and Oscar Wilde's "Incalculable Injury".Published in:2020By:Small, IanPublication type:Literary Criticism
History and the Everyday in Arnold Bennett's The Old Wives' Tale.Published in:2020By:Edwards, Ryan JohnPublication type:Literary Criticism
Oscar Wilde's Aesthetics of Perception.Published in:English Literature in Transition, 1880-1920, 2020, v. 63, n. 4, p. 559By:Peters, John G.Publication type:Article
The Universal and Undying Appeal of Rudyard Kipling's Just So Stories for Little Children.Published in:2020By:Dillingham, William B.Publication type:Literary Criticism