“NOWHERE’S SAFE”: RUINOUS RECONSTRUCTION IN MURIEL SPARK’S THE GIRLS OF SLENDER MEANS.Published in:2016By:RICH, KELLY M.Publication type:Literary Criticism
REMOTE PROXIMITIES: AESTHETICS, ORIENTALISM, AND THE INTIMATE LIFE OF JAPANESE OBJECTS.Published in:2016By:LAVERY, JOSEPHPublication type:Essay
DRAMATIC MONOLOGUE, PUBLIC ADDRESS, AND THE ENDS OF CHARACTER.Published in:2016By:SIDER, JUSTINPublication type:Poetry Review
PERCY SHELLEY’S REVOLUTIONARY PERIODS.Published in:2016By:SOLOMONESCU, YASMINPublication type:Literary Criticism
CHARLOTTE AND ELIZABETH: MULTIPLE MODERNITIES IN JANE AUSTEN’S PRIDE AND PREJUDICE.Published in:2016By:MOE, MELINAPublication type:Literary Criticism
WORDSWORTH AND GODWIN IN “FROZEN REGIONS”.Published in:2016By:RISINGER, JACOBPublication type:Poetry Review
“GETTING FOU”: ANTIQUARIANISM AND EMBODIED POETICS IN ROBERT BURNS’S “TAM O’ SHANTER”.Published in:2016By:BARRY, SEANPublication type:Poetry Review
MAKING “ANYTHING OF ANYTHING” IN THE AGE OF SHAKESPEARE.Published in:2016By:PASSANNANTE, GERARDPublication type:Literary Criticism
HUMANISM AND HELLENISM: LUCIAN AND THE AFTERLIVES OF GREEK IN MORE’S UTOPIA.Published in:2016By:RAISCH, JANEPublication type:Literary Criticism