THE ENERGY OF LANGUAGE(S): WHAT POUND MADE OF PHILOLOGY.Published in:2011By:Smith, J. MarkPublication type:Poetry Review
"I LISTENED WITH MY EYES": WRITING SPEECH AND READING DEAFNESS IN THE FICTION OF CHARLES DICKENS AND WILKIE COLLINS.Published in:2011By:Esmail, JenniferPublication type:Literary Criticism
CHARLOTTE BRONTË'S VILLETTE, MID-VICTORIAN ANTI-CATHOLICISM, AND THE TURN TO SECULARISM.Published in:2011By:Clarke, Micael M.Publication type:Literary Criticism
READING IN THE DARK: SENSORY PERCEPTION AND AGENCY IN THE RETURN OF THE NATIVE.Published in:2011By:Coombs, David SweeneyPublication type:Literary Criticism
THE DISSONANT BIBLE QUOTATION: POLITICAL AND NARRATIVE DISSENSION IN GASKELL'S MARY BARTON.Published in:2011By:Singleton, JonPublication type:Literary Criticism
COOPER AND SCOTT IN THE ANGLOPHONE LITERARY FIELD: THE PIONEERS, THE HEART OF MID-LOTHIAN, AND THE EFFECTS OF PROVINCIALITY.Published in:2011By:Rezek, JosephPublication type:Literary Criticism
THE FORMS OF JUSTICE: PRECEDENT AND GLOSS IN THE RIME OF THE ANCIENT MARINER.Published in:ELH, 2011, v. 78, n. 4, p. 863, doi. 10.1353/elh.2011.0034By:Barr, Mark L.Publication type:Article
JAMES BALDWIN'S LIFE ON THE LEFT: A PORTRAIT OF THE ARTIST AS A YOUNG NEW YORK INTELLECTUAL.Published in:ELH, 2011, v. 78, n. 4, p. 833, doi. 10.1353/elh.2011.0033By:Field, DouglasPublication type:Article
THE CREATIVITY OF WAR PLANNERS: ARMED FORCES PROFESSIONALS AND THE PRE-1914 BRITISH INVASION-SCARE GENRE.Published in:2011By:Matin, A. MichaelPublication type:Literary Criticism