MARK TWAIN AND THE CRITIQUE OF PHILOLOGY.Published in:ELH, 2011, v. 78, n. 1, p. 213, doi. 10.1353/elh.2011.0006By:GIANCARLO, MATTHEWPublication type:Article
TOTALITARIAN FAULKNER: THE NAZI INTERPRETATION OF LIGHT IN AUGUST AND ABSALOM, ABSALOM!Published in:ELH, 2011, v. 78, n. 1, p. 239, doi. 10.1353/elh.2011.0008By:SPOTH, DANIELPublication type:Article
PARTING SHOTS: EIGHTEENTH-CENTURY DISPLACEMENTS OF THE MALE BODY AT WAR.Published in:2011By:RABB, MELINDAPublication type:Essay
WHAT HAPPENS WHEN PORNOGRAPHY ENDS IN MARRIAGE: THE UNIFORMITY OF PLEASURE IN FANNY HILL.Published in:2011By:HASLANGER, ANDREAPublication type:Literary Criticism
BEHAVIORISM AND THE BEGINNINGS OF CLOSE READING.Published in:ELH, 2011, v. 78, n. 1, p. 1, doi. 10.1353/elh.2011.0003By:GANG, JOSHUAPublication type:Article
"PARTIAL TO SOME ONE SIDE": THE ADVICE-TO-A-PAINTER POEM AS HISTORICAL WRITING.Published in:2011By:GALLAGHER, NOELLEPublication type:Poetry Review
LOVE AND TECHNOLOGICAL ICONOCLASM IN ROBERT GREENE'S FRIAR BACON AND FRIAR BUNGAY.Published in:2011By:DAHLQUIST, MARKPublication type:Literary Criticism
RE-"TURNING" OTHELO: TRANSFORMATIVE AND RESTORATIVE ROMANCE.Published in:2011By:BRITTON, DENNIS AUSTINPublication type:Literary Criticism
"A GREAT BREAK IN THE COMMON COURSE OF CONFESSION": NARRATING LOSS IN CHARLOTTE BRONTË'S VILLETTE.Published in:2011By:BRAUN, GRETCHENPublication type:Literary Criticism