FRIENDSHIP AND THE GIFT IN THE POETRY OF GEORGE BARKER, W. S. GRAHAM, DYLAN THOMAS, AND VERNON WATKINS.Published in:2016By:Wootten, WilliamPublication type:Poetry Review
Writing Life: Early Twentieth-Century Autobiographies of the Artist-Hero.Published in:2016By:SIMMERS, GEORGEPublication type:Book Review
BEGINNINGS, MIDDLES, AND ENDS: A KERMODIAN READING OF JULIAN BARNES'S NOTHING TO BE FRIGHTENED OF AND THE SENSE OF AN ENDING.Published in:2016By:López-Deflory, EstefaníaPublication type:Literary Criticism
God and the Gawain-Poet: Theology and Genre in Pearl, Cleanness, Patience and Sir Gawain and the Green Knight.Published in:2016By:KELLY, STEPHENPublication type:Book Review
William Shakespeare: A Very Short Introduction.Published in:2016By:HOLMAN, MEGANPublication type:Book Review
WORK, EXPERIMENT, AND SOLIDARITY: THE TRANSFORMATORY POETICS OF MARK NOWAK.Published in:English: The Journal of the English Association, 2016, v. 65, n. 249, p. 96, doi. 10.1093/english/efw020By:Goodwin, GavinPublication type:Article
THE VIEW FROM HERE - FROM THE NORWEGIAN UNIVERSITY OF SCIENCE AND TECHNOLOGY IN TRONDHEIM.Published in:English: The Journal of the English Association, 2016, v. 65, n. 249, p. 93, doi. 10.1093/english/efw021By:Goring, PaulPublication type:Article
FROM T. S . ELIOT TO OSCAR WILDE: AESTHETIC BORROWINGS, ETHICAL THEFT, AND REDEMPTION.Published in:2016By:Budziak, AnnaPublication type:Essay