"THIS IS ABOVE ALL STRANGENESS": KING LEAR, ETHICS, AND THE PHENOMENOLOGY OF RECOGNITION.Published in:2012By:Kearney, JamesPublication type:Literary Criticism
HEGEL'S INVERTED WORLD, CLEOPATRA, AND THE LOGIC OF THE CROCODILE.Published in:2012By:Bates, JenniferPublication type:Literary Criticism
"THE EYE OF MAN HATH NOT HEARD": SHAKESPEARE, SYNAESTHESIA, AND POST-REFORMATION PHENOMENOLOGY.Published in:2012By:Waldron, JenniferPublication type:Literary Criticism
PHENOMOPHOBIA, OR WHO'S AFRAID OF MERLEAU-PONTY?Published in:Criticism, 2012, v. 54, n. 3, p. 479, doi. 10.1353/crt.2012.0025By:Smith, Bruce R.Publication type:Article
ALL IS TRUE--UNLESS YOU DECIDE IN ADVANCE WHAT IS NOT.Published in:2012By:Jackson, KenPublication type:Literary Criticism
NO GREATER POWERS THAN WE CAN CONTRADICT.Published in:2012By:Kottman, Paul A.Publication type:Literary Criticism
SHAKESPEARE, SENSATION, AND RENAISSANCE EXISTENTIALISM.Published in:2012By:Witmore, MichaelPublication type:Literary Criticism
STATIC AND TRANSFORMATIVE IMAGES IN SHAKESPEARE'S DRAMATIC ART.Published in:2012By:Knapp, James A.Publication type:Literary Criticism
MACBETH'S MARTLETS: SHAKESPEAREAN PHENOMENOLOGIES OF HOSPITALITY.Published in:2012By:Lupton, Julia ReinhardPublication type:Literary Criticism
INTRODUCTION.Published in:Criticism, 2012, v. 54, n. 3, p. 353, doi. 10.1353/crt.2012.0018By:Curran, Kevin;Kearney, JamesPublication type:Article