Introduction: 'Other Sensations'.Published in:Critical Survey, 2011, v. 23, n. 1, p. 1, doi. 10.3167/cs.2011.230101By:Allan, Janice M.Publication type:Article
A 'base and spurious thing': Reading and Deceptive Femininity in Ellen Wood's Parkwater (1857).Published in:2011By:Allan, Janice M.Publication type:Literary Criticism
'Vulgar Publicity' and Problems of Privacy in Margaret Oliphant's Salem Chapel.Published in:2011By:MacDonald, TaraPublication type:Literary Criticism
Conflicting Interpretations of Gender: Hysteria, Masculinity, and Marriage in Florence Marryat's Nelly Brooke.Published in:2011By:Depledge, GretaPublication type:Literary Criticism
Rewriting Corinne: Sensation and the Tragedy of the Exceptional Woman in Rhoda Broughton's Good-bye, Sweetheart!Published in:2011By:Heller, TamarPublication type:Literary Criticism
'You ain't the man you was': Learning to Be a Man Again in Charles Reade's A Simpleton.Published in:2011By:O'Brien Hill, GeorginaPublication type:Literary Criticism
Trains of Thought: the Challenges of Mobility in the Work of Rhoda Broughton.Published in:2011By:Despotopoulou, AnnaPublication type:Literary Criticism
Contributors.Published in:Critical Survey, 2011, v. 23, n. 1, p. 113, doi. 10.3167/cs.2011.230109Publication type:Article