Introduction: Contemporary Fiction.Published in:Critical Survey, 2008, v. 20, n. 1, p. 1, doi. 10.3167/cs.2008.200101By:Cockin, KatharinePublication type:Article
From 'The Purest Literature We Have' to 'A Spirit Grown Corrupt': Embracing Contamination in Twentieth-Century Crime Fiction.Published in:2008By:Plain, GillPublication type:Literary Criticism
The Family Plot in Recent Novels by P.D. James and Reginald Hill.Published in:2008By:Vanacker, SabinePublication type:Literary Criticism
Traces of Shame: Margaret Atwood's Portrayal of Childhood Bullying and its Consequences in Cat's Eye.Published in:2008By:Jones, BethanPublication type:Literary Criticism
Are Clones Really Different? Evidence From a Bildungsroman: Eva Hoffman's The Secret.Published in:2008By:Stuart, SusanPublication type:Literary Criticism
Sex, Violence and Concrete: The Post-war Dystopian Vision of London in Nineteen Eighty-Four.Published in:2008By:Phillips, LawrencePublication type:Literary Criticism
Politics, the Domestic and the Uncanny Effects of the Everyday in Ian McEwan's Saturday.Published in:2008By:Brown, RichardPublication type:Literary Criticism
Contributors.Published in:Critical Survey, 2008, v. 20, n. 1, p. 102, doi. 10.3167/cs.2008.200111Publication type:Article