Contributors.Published in:Comparative Drama, 2024, v. 58, n. 4, p. 502, doi. 10.1353/cdr.2024.a950202Publication type:Article
Cue Tears: On the Act of Crying by Daniel Sack (review).Published in:2024By:Tait, PetaPublication type:Book Review
Pragmatic Liberation and the Politics of Puerto Rican Diasporic Drama by Jon D Rossini (review).Published in:2024By:Stevens, CamillaPublication type:Book Review
Staging Haiti in Nineteenth-Century America: Revolution, Race, and Popular Performance by Peter P. Reed (review).Published in:2024By:Saillant, JohnPublication type:Book Review
The Theatre Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing by Serena Laiena (review).Published in:2024By:Jaffe-Berg, ErithPublication type:Book Review
Persia in Early Modern English Drama, 1530–1699: The Imagined Empire by Chloë Houston (review).Published in:2024By:Andrea, BernadettePublication type:Book Review
Gender and Pilgrimage in The Digby Mary Magdalene.Published in:2024By:Chen, JiamiaoPublication type:Literary Criticism
"The Bible say": August Wilson's Scriptural Improvisation.Published in:2024By:Maley, PatrickPublication type:Literary Criticism
"I want a bath!": On the Depth and Limits of Universalist Liquefaction in Sarah Ruhl's Eurydice.Published in:2024By:Büch, MichelPublication type:Literary Criticism