Who Watches the Watchmen, Especially When They're on Edge? Liminal Spectatorship in Agamemnon and Macbeth.
- Published in:
- Comparative Drama, 2018, v. 52, n. 1/2, p. 103, doi. 10.1353/cdr.2018.0004
- By:
- Publication type:
- Article
Works matching IS 00104078 AND DT 2018 AND VI 52 AND IP 1/2
Results: 8
1
2
Tyranny and Fear in Aeschylus's Oresteia and Shakespeare's Macbeth.
- Published in:
- 2018
- By:
- Publication type:
- Literary Criticism
3
Reticence and Phobos in Aeschylus's Agamemnon.
- Published in:
- 2018
- By:
- Publication type:
- Literary Criticism
4
Macbeth and Regimes of Reading in Francoist Spain.
- Published in:
- 2018
- By:
- Publication type:
- Literary Criticism
5
Linguistic Taboos and the "Unscene" of Fear in Macbeth*.
- Published in:
- 2018
- By:
- Publication type:
- Literary Criticism
6
Introduction: The Tyrant's Fear.
- Published in:
- Comparative Drama, 2018, v. 52, n. 1/2, p. 1, doi. 10.1353/cdr.2018.0000
- By:
- Publication type:
- Article
7
Fear and Loathing in Prague: Tom Stoppard's Cahoot's Macbeth.
- Published in:
- Comparative Drama, 2018, v. 52, n. 1/2, p. 123, doi. 10.1353/cdr.2018.0005
- By:
- Publication type:
- Article
8
Contributors.
- Published in:
- Comparative Drama, 2018, v. 52, n. 1/2, p. 181, doi. 10.1353/cdr.2018.0008
- Publication type:
- Article