Brief Notices.
- Published in:
- 2016
- Publication type:
- Book Review
Works matching IS 00104078 AND DT 2016 AND VI 50 AND IP 4
Results: 11
1
2
Mermaids and the Production of Knowledge in Early Modern England.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
3
The Theatre of David Henry Hwang.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
4
Shakespeare's Extremes: Wild Man, Monster, Beast.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
5
Queer Philologies: Sex, Language, and Affect in Shakespeare's Time.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
6
The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
7
The Late Work of Sam Shepard.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
8
Melancholy Ontology, Evental Ethics, and the Lost (m)Other in Howard Barker's Theatre of Catastrophe: An Analysis of 13 Objects.
- Published in:
- Comparative Drama, 2016, v. 50, n. 4, p. 365, doi. 10.1353/cdr.2016.0027
- By:
- Publication type:
- Article
9
(Mis)reading Ibsen: Chinese Noras On and Off the Stage and Nora in Her Chinese Husband's Ancestral Land of the 1930s as Reimagined for the Globalized World Today.
- Published in:
- Comparative Drama, 2016, v. 50, n. 4, p. 341, doi. 10.1353/cdr.2016.0026
- By:
- Publication type:
- Article
10
"I Knew Not How to Call Her Now": The Bigamist's Second Wife in The Witch Of Edmonton and All's Lost By Lust.
- Published in:
- 2016
- By:
- Publication type:
- Performance Review
11
"A somber passion strengthens her voice": The Stage as Public Platform in British Women's Suffrage Drama.
- Published in:
- Comparative Drama, 2016, v. 50, n. 4, p. 293, doi. 10.1353/cdr.2016.0024
- By:
- Publication type:
- Article