Controversy in French Drama: Molière's Tartuffe and the Struggle for Influence.Published in:2016By:SMITH, DANIELPublication type:Book Review
King John (Mis)Remembered: The Dunmow Chronicle, the Lord Admiral's Men, and the Formation of Cultural Memory.Published in:2016By:RUTTER, TOMPublication type:Book Review
Shakespeare's Curse: The Aporias of Ritual Exclusion in Early Modern Royal Drama.Published in:2016By:KING, EMILYPublication type:Book Review
All Dressed Up: Modern Irish Historical Pageantry.Published in:2016By:JAROS, MICHAEL P.Publication type:Book Review
Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power. Methuen Drama Engage.Published in:2016By:HOLZAPFEL, AMYPublication type:Book Review
Staging England in the Elizabethan History Play: Performing National Identity.Published in:2016By:DEITER, KRISTENPublication type:Book Review
Commedia dell'Arte and the Mediterranean: Charting Journeys and Mapping "Others".Published in:2016By:CARROLL, LINDA L.Publication type:Book Review
Among Actions, Objects, and Ideas: The Telescope in Thomas Tomkis's Albumazar.Published in:2016By:APPLER, VIVIANPublication type:Literary Criticism
From Many Lives a Single Play: The Case of Saint Margaret and the Dragon.Published in:Comparative Drama, 2016, v. 50, n. 1, p. 33, doi. 10.1353/cdr.2016.0012By:HAMBLIN, VICKI L.Publication type:Article
Caesar as Comic Antichrist: Shakespeare's Julius Caesar and the Medieval English Stage Tyrant.Published in:Comparative Drama, 2016, v. 50, n. 1, p. 1, doi. 10.1353/cdr.2016.0010By:GRAY, PATRICKPublication type:Article