Deafness and Dominance: Analyzing The Oregon Shakespeare Festival's Production of To Kill a Mockingbird.
- Published in:
- 2015
- By:
- Publication type:
- Performance Review
Works matching IS 00104078 AND DT 2015 AND VI 49 AND IP 4
Results: 5
1
2
"Where's Tarleton?": The Contentious Chaucerian Afterlife of Elizabeth's Most Famous Clown.
- Published in:
- Comparative Drama, 2015, v. 49, n. 4, p. 445, doi. 10.1353/cdr.2015.0039
- By:
- Publication type:
- Article
3
"Weeping Mothers Shall Applaud": Sarah Yates as Margaret of Anjou on the London Stage, 1797.
- Published in:
- Comparative Drama, 2015, v. 49, n. 4, p. 419, doi. 10.1353/cdr.2015.0038
- By:
- Publication type:
- Article
4
"Now Keep Out of the Way, Whitelaw": Self-Expression, Agency, and Directorial Control in W. B. Yeats's and Samuel Beckett's Theatre.
- Published in:
- Comparative Drama, 2015, v. 49, n. 4, p. 399, doi. 10.1353/cdr.2015.0037
- By:
- Publication type:
- Article
5
Introduction.
- Published in:
- Comparative Drama, 2015, v. 49, n. 4, p. 393, doi. 10.1353/cdr.2015.0042
- By:
- Publication type:
- Article