The Cambridge Introduction to Tom Stoppard.Published in:2015By:KORNHABER, DAVIDPublication type:Book Review
Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625-1642.Published in:2015By:HIRSCHFELD, HEATHERPublication type:Book Review
Befriending the Commedia dell'Arte of Flaminio Scala: The Comic Scenarios.Published in:2015By:SOLEO-SHANKS, JENNAPublication type:Book Review
New World Drama: he Performative Commons in the Atlantic World, 1649-1849.Published in:2015By:CONTI, MEREDITH A.Publication type:Book Review
Domesticating Ibsen for Italy: Enrico and Icilio Polese's Ibsen Campaign. Turin, Italy.Published in:2015By:GABORIK, PATRICIAPublication type:Book Review
Invisibility in Drama, heater, and Performance.Published in:2015By:TEAGUE, FRANPublication type:Book Review
Emulation on the Shakespearean Stage.Published in:2015By:GREENBERG, MARISSAPublication type:Book Review
Gender, Authenticity, and Diasporic Identities in Adebayo's Moj of the Antarctic and Iizuka's 36 Views.Published in:2015By:Moll, EllenPublication type:Literary Criticism
Law, Farce, and Counter-Kingship in the Semur Fall of Lucifer.Published in:2015By:RICE, NICOLE R.Publication type:Literary Criticism
"he Naked Fellow": Performing Feral Reversion in King Lear.Published in:2015By:JIMÉNEZ HEFFERNAN, JULIÁNPublication type:Literary Criticism