Hamlet the Diference Machine.
- Published in:
- Comparative Drama, 2012, v. 46, n. 3, p. 401, doi. 10.1353/cdr.2012.0027
- By:
- Publication type:
- Article
Works matching IS 00104078 AND DT 2012 AND VI 46 AND IP 3
Results: 8
1
2
Fugard, Kani, Ntshona's The Island: Antigone as South African Drama.
- Published in:
- Comparative Drama, 2012, v. 46, n. 3, p. 379, doi. 10.1353/cdr.2012.0025
- By:
- Publication type:
- Article
3
On the Tragedy of the Commoner: Elektra, Orestes, and Others in South Africa.
- Published in:
- Comparative Drama, 2012, v. 46, n. 3, p. 355, doi. 10.1353/cdr.2012.0024
- By:
- Publication type:
- Article
4
Authentic Protest, Authentic Shakespeare, Authentic Africans: Performing Othello in South Africa.
- Published in:
- Comparative Drama, 2012, v. 46, n. 3, p. 339, doi. 10.1353/cdr.2012.0023
- By:
- Publication type:
- Article
5
American Students Performing the Foreignness of Human Culture in Foreign Drama.
- Published in:
- Comparative Drama, 2012, v. 46, n. 3, p. 319, doi. 10.1353/cdr.2012.0031
- By:
- Publication type:
- Article
6
Snapshots of a Shakespearean in China.
- Published in:
- Comparative Drama, 2012, v. 46, n. 3, p. 303, doi. 10.1353/cdr.2012.0030
- By:
- Publication type:
- Article
7
Zen and the Art of Self-Negation in Samuel Beckett's Not I.
- Published in:
- Comparative Drama, 2012, v. 46, n. 3, p. 283, doi. 10.1353/cdr.2012.0028
- By:
- Publication type:
- Article
8
Reading and Experiencing a Play Transculturally.
- Published in:
- Comparative Drama, 2012, v. 46, n. 3, p. 259, doi. 10.1353/cdr.2012.0026
- By:
- Publication type:
- Article