Chinese Ethnicity and the American Heroic Artisan in Henry Grimm's The Chinese Must Go (1879).Published in:Comparative Drama, 2010, v. 44, n. 1, p. 63, doi. 10.1353/cdr.0.0090By:HSIN-YUN OUPublication type:Article
The N-Town Play: Drama and Liturgy in Medieval East Anglia.Published in:2010By:SUGANO, DOUGLASPublication type:Book Review
John Florio: The Man Who Was Shakespeare.Published in:2010By:MCCREA, SCOTTPublication type:Book Review
Exotic Nation: Maurophilia and the Construction of Early Modern Spain/English Renaissance Drama and the Specter of Spain: Ethnopoetics and Empire.Published in:2010By:KALLENDORF, HILAIREPublication type:Book Review
The Biblical Intertext in Peter Shafer's Amadeus (Or, Saul and David in Eighteenth-Century Vienna).Published in:Comparative Drama, 2010, v. 44, n. 1, p. 45, doi. 10.1353/cdr.0.0092By:ASCHKENASY, NEHAMAPublication type:Article
Soyinka and the Dead Dramatist.Published in:Comparative Drama, 2010, v. 44, n. 1, p. 29, doi. 10.1353/cdr.0.0088By:GRAHAM, KENNETH J. E.Publication type:Article
Coriolanus: Inordinate Passions and Powers in Personal and Political Governance.Published in:Comparative Drama, 2010, v. 44, n. 1, p. 1, doi. 10.1353/cdr.0.0089By:LANGIS, UNHAEPublication type:Article