The Untitled Images (2014).
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 142, doi. 10.1353/cj.2018.0059
- By:
- Publication type:
- Article
Works matching IS 00097101 AND DT 2018 AND VI 57 AND IP 4
Results: 20
1
2
The Studios after the Studios: Neoclassical Hollywood (1970–2010) by J. D. Connor (review).
- Published in:
- 2018
- By:
- Publication type:
- Book Review
3
The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960s Promotional Featurettes.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 96, doi. 10.1353/cj.2018.0053
- By:
- Publication type:
- Article
4
Reel Evil.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 146, doi. 10.1353/cj.2018.0060
- By:
- Publication type:
- Article
5
Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil by Rielle Navitski (review).
- Published in:
- 2018
- By:
- Publication type:
- Book Review
6
Objectivity, Speculative Realism, and the Cinematic Apparatus.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
7
Immediations: The Humanitarian Impulse in Documentary by Pooja Rangan (review).
- Published in:
- 2018
- By:
- Publication type:
- Book Review
8
For Maalik, Naz, Brittany, & Alexis; or, On Loving Black People as a Liberatory Practice.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 138, doi. 10.1353/cj.2018.0058
- By:
- Publication type:
- Article
9
Film Blackness: American Cinema and the Idea of Black Film by Michael Boyce Gillespie (review).
- Published in:
- 2018
- By:
- Publication type:
- Book Review
10
Editors' Introduction.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 1, doi. 10.1353/cj.2018.0048
- Publication type:
- Article
11
Decolonizing Education and Research by Countering the Myths We Live By.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 132, doi. 10.1353/cj.2018.0057
- By:
- Publication type:
- Article
12
Decolonize Media: Tactics, Manifestos, Histories.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 120, doi. 10.1353/cj.2018.0054
- By:
- Publication type:
- Article
13
Countermanifestos and Audibility.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 124, doi. 10.1353/cj.2018.0055
- By:
- Publication type:
- Article
14
Contributors.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 174, doi. 10.1353/cj.2018.0067
- Publication type:
- Article
15
Chaebol Affect: Emotional Capital and the Interiority of Wealth in Im Sang-soo's The Housemaid and The Taste of Money.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
16
Anarchy on and off the Air.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 127, doi. 10.1353/cj.2018.0056
- By:
- Publication type:
- Article
17
A DIY Come-On: A History of Optical Printing in Avant-Garde Cinema.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 71, doi. 10.1353/cj.2018.0052
- By:
- Publication type:
- Article
18
Contributors.
- Published in:
- Cinema Journal, 2018, v. 57, n. 4, p. 151, doi. 10.1353/cj.2018.0061
- Publication type:
- Article
19
"Feast Your Eyes, Glut Your Soul": Lon Chaney, Tod Browning, Disfigurement, and the Limits of Redemptive Affects.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
20
The Documentary Film Reader: History, Theory, Criticism ed. by Jonathan Kahana, and: Essays on the Essay Film eds. by Nora M. Alter and Timothy Corrigan (review).
- Published in:
- 2018
- By:
- Publication type:
- Book Review