"To Hear and See the Matter": Communicating Technology in Michael Almereyda's Hamlet (2000).
- Published in:
- Cinema Journal, 2003, v. 42, n. 3, p. 48, doi. 10.1353/cj.2003.0007
- By:
- Publication type:
- Article
Works matching IS 00097101 AND DT 2003 AND VI 42 AND IP 3
Results: 7
1
2
Demystification and Webtopia in the Films of Nelly Kaplan.
- Published in:
- Cinema Journal, 2003, v. 42, n. 3, p. 96, doi. 10.1353/cj.2003.0008
- By:
- Publication type:
- Article
3
Eroticism in Itami's The Funeral and Tampopo: Juxtaposition and Symbolism.
- Published in:
- Cinema Journal, 2003, v. 42, n. 3, p. 70, doi. 10.1353/cj.2003.0012
- By:
- Publication type:
- Article
4
Archival News.
- Published in:
- Cinema Journal, 2003, v. 42, n. 3, p. 144
- By:
- Publication type:
- Article
5
Home Again: Revisiting the New German Cinema in Edgar Reitz's Die Zweite Heimat (1993).
- Published in:
- Cinema Journal, 2003, v. 42, n. 3, p. 114, doi. 10.1353/cj.2003.0011
- By:
- Publication type:
- Article
6
Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes.
- Published in:
- Cinema Journal, 2003, v. 42, n. 3, p. 27, doi. 10.1353/cj.2003.0009
- By:
- Publication type:
- Article
7
"New Films in Story Form": Movie Story Magazines and Spectatorship.
- Published in:
- Cinema Journal, 2003, v. 42, n. 3, p. 3, doi. 10.1353/cj.2003.0010
- By:
- Publication type:
- Article