What If the Play Were Called Ophelia? Gender and Genre in Hamlet.Published in:Cambridge Quarterly, 2020, v. 49, n. 1, p. 1, doi. 10.1093/camqtly/bfz038By:Luke, JillianPublication type:Article
Tragedy, No Tragedy, and Tragedy with Chinese Characteristics? One Hundred Years of Debate with a 'Happy Ending'.Published in:Cambridge Quarterly, 2020, v. 49, n. 1, p. 55, doi. 10.1093/camqtly/bfz036By:Chen, Jun;Qi, ShouhuaPublication type:Article
The 'Conspiracy of Words' in David Copperfield.Published in:2020By:Sasaki, ToruPublication type:Literary Criticism
Moving Words: Enargeia in Early Modern Devotions.Published in:2020By:Read, SophiePublication type:Literary Criticism
Articulating a New Identity: Keywords for Today.Published in:2020By:Savage, Jordan KPublication type:Book Review
Notes on Contributors.Published in:Cambridge Quarterly, 2020, v. 49, n. 1, p. 102, doi. 10.1093/camqtly/bfaa004Publication type:Article