"Human Bodies Are Words": Towards a Theory of Non-Verbal Voice.Published in:CEA Critic, 2011, v. 73, n. 3, p. 33By:Sanchez, RebeccaPublication type:Article
Supper, Song, and Salvation: Terrence McNally's Nights at the Opera.Published in:CEA Critic, 2011, v. 73, n. 3, p. 1By:Frontain, Raymond-JeanPublication type:Article
Editor's Note.Published in:CEA Critic, 2011, v. 73, n. 3, p. 105By:McDaniel, JamiePublication type:Article
Journeys Westward: The Complicated Irish West in Somerville & Ross' "Matchbox" and "An Irish Problem".Published in:CEA Critic, 2011, v. 73, n. 3, p. 89By:Wilson, StevePublication type:Article
Embodiment, Agency, and Alienation in Frankenstein and Ourika.Published in:2011By:Montwieler, KatherinePublication type:Essay
Broken Promises and Blind Pleasures in Wordsworth's "The Idiot Boy".Published in:CEA Critic, 2011, v. 73, n. 3, p. 48By:King, JoshuaPublication type:Article