Found: 12
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“I Love Working for Uncle Sam, Lets Me Know Just Who I Am”: Culture, the Human Terrain System, and the Inquiry of World War I.
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- Canadian Review of American Studies, 2014, v. 44, n. 2, p. 345, doi. 10.3138/cras.2014.S08
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- Article
Laying Tracks and Tracking Change: An Interrogation of Nostalgia, National Identity, and the Railway in Contemporary Photography.
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- Canadian Review of American Studies, 2014, v. 44, n. 2, p. 320, doi. 10.3138/cras.2014.S07
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- Article
Joy in Labour: The Politicization of Craft from the Arts and Crafts Movement to Etsy.
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- Canadian Review of American Studies, 2014, v. 44, n. 2, p. 281, doi. 10.3138/CRAS.2014.S06
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- Article
How Tonto Became Mr. T: The A-Team and the Transformation of the Western in Post-Vietnam America.
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- Canadian Review of American Studies, 2014, v. 44, n. 2, p. 260, doi. 10.3138/cras.2014.S05
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- Article
Cartography and Renewal in Rebecca Solnit’s Infinite City: A San Francisco Atlas.
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- Canadian Review of American Studies, 2014, v. 44, n. 2, p. 240, doi. 10.3138/cras.2014.S04
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- Article
Performing Vintage: The Cultivation and Dissemination of Vintage Sensibilities at the Brooklyn Flea.
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- Canadian Review of American Studies, 2014, v. 44, n. 2, p. 214, doi. 10.3138/cras.2014.S03
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- Article
Doing the Lady Gaga Dance: Postmodern Transaesthetics and the Art of Spectacle in Don DeLillo’s The Body Artist.
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- Canadian Review of American Studies, 2014, v. 44, n. 2, p. 194, doi. 10.3138/cras.2014.S02
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- Article
The Inward Turn: American Opera Revisits America’s Past.
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- Canadian Review of American Studies, 2014, v. 44, n. 2, p. 178, doi. 10.3138/cras.2014.S01
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- Article
Introduction : Est-ce vraiment important si rien n’est jamais nouveau ?
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- Canadian Review of American Studies, 2014, v. 44, n. 2, p. 169, doi. 10.3138/cras.2014.S00FR
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- Article
Introduction: What Does It Really Matter If Nothing Is Ever New?
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- Canadian Review of American Studies, 2014, v. 44, n. 2, p. 161, doi. 10.3138/cras.2014.S00EN
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- Article
The Aesthetics of Garbage in Philip K. Dick's Martian Time-Slip.
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- 2014
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- Publication type:
- Literary Criticism
'You See, Children Were the - the Raison D'être': The Reproductive Futurism of Charlotte Perkins Gilman's Herland.
- Published in:
- 2014
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- Publication type:
- Literary Criticism