Listening to Bach: The Mass in B Minor and the Christmas Oratorio.
- Published in:
- Bach: Journal of the Riemenschneider Bach Institute, 2019, v. 50, n. 2, p. 314, doi. 10.1353/bach.2019.0007
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- Article
Works matching IS 00053600 AND DT 2019 AND VI 50 AND IP 2
Results: 8
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Leipzig after Bach: Church & Concert Life in a German City.
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- Bach: Journal of the Riemenschneider Bach Institute, 2019, v. 50, n. 2, p. 308, doi. 10.1353/bach.2019.0008
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- Article
3
Sonatas, Screams, and Silence: Music and Sound in the Films of Ingmar Bergman.
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- Bach: Journal of the Riemenschneider Bach Institute, 2019, v. 50, n. 2, p. 303, doi. 10.1353/bach.2019.0009
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- Article
4
"Good Hands": The Music of J. S. Bach in Television Commercials.
- Published in:
- Bach: Journal of the Riemenschneider Bach Institute, 2019, v. 50, n. 2, p. 275, doi. 10.22513/bach.50.2.0275
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- Article
5
Another Woody: J. S. Bach in Dixieland.
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- Bach: Journal of the Riemenschneider Bach Institute, 2019, v. 50, n. 2, p. 254, doi. 10.22513/bach.50.2.0254
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- Article
6
The Consecration of the Marginalized: Pasolini's Use of J. S. Bach in Accattone (1961) and Il Vangelo Secondo Matteo (1964).
- Published in:
- Bach: Journal of the Riemenschneider Bach Institute, 2019, v. 50, n. 2, p. 220, doi. 10.22513/bach.50.2.0220
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- Article
7
J. S. Bach, Jean-Luc Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985).
- Published in:
- Bach: Journal of the Riemenschneider Bach Institute, 2019, v. 50, n. 2, p. 175, doi. 10.22513/bach.50.2.0175
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- Article
8
Voice of the Dance: J. S. Bach and Other Classics in the Maksimova-Vasiliev Film Fouetté (1986).
- Published in:
- Bach: Journal of the Riemenschneider Bach Institute, 2019, v. 50, n. 2, p. 136, doi. 10.22513/bach.50.2.0136
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- Publication type:
- Article