'Lights all askew in the heavens': Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead's Seven Poor Men of Sydney.Published in:2016By:Matthews, SamPublication type:Literary Criticism
Politics and Passion in Stead's Late Novels.Published in:2016By:Sheridan, SusanPublication type:Essay
'The Young Man Will Go Far': Educational Mobility and Christina Stead's Compositional Practice in the Early 1930s.Published in:2016By:Ackland, MichaelPublication type:Literary Criticism
The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead's Seven Poor Men of Sydney.Published in:2016By:Brayshaw, MegPublication type:Literary Criticism
The Children's Chorus: Sibling Soundscapes in The Man Who Loved Children.Published in:2016By:Carson, SusanPublication type:Essay
'Merely Unfriendly or Slightly Critical': Christina Stead. The Left, and I'm Dying Laughing.Published in:2016By:Birns, NicholasPublication type:Literary Criticism
Repetition and Christina Stead's The Man Who Loved Children.Published in:2016By:Lane, WilliamPublication type:Literary Criticism
'A Vermeer in the Hayloft': Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind.Published in:2016By:Morrison, FionaPublication type:Essay
Introduction.Published in:Australian Literary Studies, 2016, v. 31, n. 6, p. 1By:Rooney, Brigid;Morrison, FionaPublication type:Article
Christina Stead's Student Publications.Published in:Australian Literary Studies, 2016, v. 31, n. 6, p. 1By:Stead, ChristinaPublication type:Article
Christina Stead's 'Kelly File': Politics, Possession and the Writing of Cotters' England.Published in:2016By:Rooney, BrigidPublication type:Literary Criticism