Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music.
- Published in:
- Australian Literary Studies, 2014, v. 29, n. 1/2, p. 107
- By:
- Publication type:
- Article
Works matching IS 00049697 AND DT 2014 AND VI 29 AND IP 1/2
Results: 12
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R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture.
- Published in:
- Australian Literary Studies, 2014, v. 29, n. 1/2, p. 12
- By:
- Publication type:
- Article
3
J.M. Coetzee and the Limits of Cosmopolitanism.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
4
Entangled Subjects: Indigenous/Australian Cross-Cultures of Talk, Text, and Modernity.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
5
Christian Mysticism and Australian Poetry.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
6
Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré's La chanson d'Ève.
- Published in:
- Australian Literary Studies, 2014, v. 29, n. 1/2, p. 45
- By:
- Publication type:
- Article
7
Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky.
- Published in:
- Australian Literary Studies, 2014, v. 29, n. 1/2, p. 65
- By:
- Publication type:
- Article
8
Listening between the Lines Introduction: Exploring the Interdisciplinarity between Music and Literature.
- Published in:
- Australian Literary Studies, 2014, v. 29, n. 1/2, p. 1
- By:
- Publication type:
- Article
9
Intention and (In)determinacy: John Cage's 'Empty Words' and the Ambiguity of Performance.
- Published in:
- Australian Literary Studies, 2014, v. 29, n. 1/2, p. 120
- By:
- Publication type:
- Article
10
Composing Rayuela: The Musical Element in Julio Cortazár's Narrative.
- Published in:
- 2014
- By:
- Publication type:
- Literary Criticism
11
Anne Sexton, Singer: 'Her Kind' and the Musical Impetus in Lyric Confessional Verse.
- Published in:
- Australian Literary Studies, 2014, v. 29, n. 1/2, p. 90
- By:
- Publication type:
- Article
12
Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi's Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself.
- Published in:
- Australian Literary Studies, 2014, v. 29, n. 1/2, p. 28
- By:
- Publication type:
- Article