Method Acting, Autonomy, and the Curious "as if" of the Postwar Subject in Nicholas Ray's Rebel Without a Cause.Published in:Arizona Quarterly, 2017, v. 73, n. 2, p. 103, doi. 10.1353/arq.2017.0011By:ALLISON, NATHAN D.Publication type:Article
Poetic Language as a Sounding Mo'um (Body): Reading Cathy Park Hong's Poems as Deleuze's "Minor Literature".Published in:Arizona Quarterly, 2017, v. 73, n. 2, p. 83, doi. 10.1353/arq.2017.0010By:TAE YUN LIMPublication type:Article
"The central hollowness": James Merrill and the Annihilation of the Self.Published in:Arizona Quarterly, 2017, v. 73, n. 2, p. 61, doi. 10.1353/arq.2017.0009By:HOORENMAN, JOHANNAPublication type:Article
Genre, History, Ecology: James Welch's Fools Crow and the Reagan Anti- Environmental Revolution.Published in:Arizona Quarterly, 2017, v. 73, n. 2, p. 37, doi. 10.1353/arq.2017.0008By:MANGRUM, BENJAMINPublication type:Article
Icons of Depression.Published in:Arizona Quarterly, 2017, v. 73, n. 2, p. 1, doi. 10.1353/arq.2017.0007By:BEESTON, ALIXPublication type:Article