Some Assembly Required: The Embodied Politics of Infinite Jest.Published in:2010By:RUSSELL, EMILYPublication type:Literary Criticism
On the Hollywood Chain Gang: The Screen Version of Robert E. Burns' I Am a Fugitive from a Georgia Chain Gang! and Penal Reform of the 1930s-1940s.Published in:2010By:RODIMTSEVA, IRINA V.Publication type:Literary Criticism
The Mexican Revolution in the Eyes of Katherine Anne Porter and Nellie Campobello.Published in:2010By:ESPLIN, EMRONPublication type:Literary Criticism
Raising Eden in Death Comes for the Archbishop.Published in:2010By:MUTTER, SARAH MAHURINPublication type:Literary Criticism
"A True Picture of Facts": Cinematic Realism in Dreiser's An American Tragedy.Published in:2010By:ENFIELD, JONPublication type:Literary Criticism
To "tell again in many ways": Iteration and Translation in The Souls of Black Folk.Published in:Arizona Quarterly, 2010, v. 66, n. 3, p. 23, doi. 10.1353/arq.2010.0006By:HOLTON, ADALAINEPublication type:Article
After Acknowledgement: Theodore Parker as Representative Man.Published in:Arizona Quarterly, 2010, v. 66, n. 3, p. 1, doi. 10.1353/arq.2010.0000By:CLARK, PRENTISSPublication type:Article