"Everything in the World Has Its Own Color": Detecting Race and Identity in Paul Auster's "Ghosts."Published in:Arizona Quarterly, 2008, v. 64, n. 3, p. 109, doi. 10.1353/arq.0.0014By:Berlatsky, EricPublication type:Article
"A 'Woman' Need Not Be Sincere": Annie Dillard's Fictional Autobiographies and the Gender Politics of American Transcendentalism.Published in:Arizona Quarterly, 2008, v. 64, n. 3, p. 75, doi. 10.1353/arq.0.0012By:Hardack, RichardPublication type:Article
Kubrick's "Odyssey": Myth, Technology, Gnosis.Published in:Arizona Quarterly, 2008, v. 64, n. 3, p. 51, doi. 10.1353/arq.0.0006By:Kuberski, PhilipPublication type:Article
Beauty and the Priest: The Use and Misuse of Aesthetics in "The Damnation of Theron Ware."Published in:2008By:Perrin, TomPublication type:Essay
Whittier, Ballad Reading, and the Culture of Nineteenth-Century Poetry.Published in:2008By:Cohen, MichaelPublication type:Essay