The Political Agency of Musical Beauty.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 831, doi. 10.1353/aq.2011.0030
- By:
- Publication type:
- Article
Works matching IS 00030678 AND DT 2011 AND VI 63 AND IP 3
Results: 19
1
2
Sounds of Surveillance: U.S. Spanish- Language Radio Patrols La Migra.
- Published in:
- 2011
- By:
- Publication type:
- Essay
3
Reproducing U.S. Citizenship in Blackboard Jungle: Race, Cold War Liberalism, and the Tape Recorder.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
4
Forced Listening: The Contested Use of Loudspeakers for Commercial and Political Messages in the Public Soundscape.
- Published in:
- 2011
- By:
- Publication type:
- Essay
5
The "War on Noise": Sound and Space in La Guardia's New York.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 733, doi. 10.1353/aq.2011.0038
- By:
- Publication type:
- Article
6
Touching Listening: The Aural Imaginary in the World Music Culture Industry.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 711, doi. 10.1353/aq.2011.0035
- By:
- Publication type:
- Article
7
Back Door Man: Howlin' Wolf and the Sound of Jim Crow.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 697, doi. 10.1353/aq.2011.0031
- By:
- Publication type:
- Article
8
Soul Vibrations: Black Music and Black Freedom in Sound and Space.
- Published in:
- 2011
- By:
- Publication type:
- Essay
9
Marian Anderson and "Sonic Blackness" in American Opera.
- Published in:
- 2011
- By:
- Publication type:
- Essay
10
Abolitionism's Resonant Bodies: The Realization of African American Performance.
- Published in:
- 2011
- By:
- Publication type:
- Essay
11
"An Indian in a White Man's Camp": Johnny Cash's Indian Country Music.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 591, doi. 10.1353/aq.2011.0039
- By:
- Publication type:
- Article
12
Quiet Comfort: Noise, Otherness, and the Mobile Production of Personal Space.
- Published in:
- 2011
- By:
- Publication type:
- Essay
13
The Recording Studio on Stage: Liveness in Ma Rainey's Black Bottom.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 555, doi. 10.1353/aq.2011.0032
- By:
- Publication type:
- Article
14
Audible Citizenship and Audiomobility: Race, Technology, and CB Radio.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 531, doi. 10.1353/aq.2011.0049
- By:
- Publication type:
- Article
15
"What, for me, constitutes life in a sound?": Electronic Sounds as Lively and Differentiated Individuals.
- Published in:
- 2011
- By:
- Publication type:
- Essay
16
Intimacy Threats and Intersubjective Users: Telephone Training Films, 1927-1962.
- Published in:
- 2011
- By:
- Publication type:
- Essay
17
Splitting Sight and Sound: Thomas Dewing's A Reading, Gilded Age Women, and the Phonograph.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 461, doi. 10.1353/aq.2011.0040
- By:
- Publication type:
- Article
18
Introduction: Listening to American Studies.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 445, doi. 10.1353/aq.2011.0037
- By:
- Publication type:
- Article
19
Preface.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 445, doi. 10.1353/aq.2011.0034
- By:
- Publication type:
- Article