CHARLES W. CHESNUTT and the "province of literature".Published in:2014By:BAGGETT, PAULPublication type:Essay
Reading Plagiarism: Charles Chesnutt's The House Behind the Cedars and Oscar Micheaux's The Masquerade: An Historical Novel.Published in:2021By:Gleeson-White, SarahPublication type:Literary Criticism
Race/Relations, Acts of Discernment, and Ethical Inquiry in Charles W. Chesnutt's "The House behind the Cedars."Published in:2012By:Carbonell, BettinaPublication type:Literary Criticism
THE TRAGIC MULATTA AND NATIONAL IDENTITY IN MARTÍN MORÚA DELGADO'S SOFÍA AND CHARLES W. CHESNUTT'S THE HOUSE BEHIND THE CEDARS.Published in:2015By:Kornweibel, KarenPublication type:Literary Criticism
Racial Fictions and the Cultural Work of Genre in Charles W. Chesnutt's The House Behind the Cedars.Published in:2016By:RAUTERKUS, MELISSA ASHERPublication type:Literary Criticism
History and Survival: Charles Chesnutt and the Time of Conjure.Published in:2010By:MATHESON, NEILLPublication type:Literary Criticism
Chesnutt's Identity and the Color Line.Published in:2010By:Glass, Ernestine PickensPublication type:Essay
RENA'S TWO BODIES: GENDER AND WHITENESS IN CHARLES CHESNUTT'S THE HOUSE BEHIND THE CEDARS.Published in:2011By:RYAN, MELISSAPublication type:Literary Criticism
A Woman of One's Own Blood: John Walden and the Making of White Masculinity in Charles W. Chesnutt's The House Behind the Cedars.Published in:2013By:RUDOLPH, KERSTINPublication type:Literary Criticism
Reading The Human Stain through Charles W. Chesnutt: The Genre of the Passing Novel.Published in:2006By:Wilson, MatthewPublication type:Literary Criticism
Staged Bodies: Passing, Performance, and Masquerade in Charles W. Chesnutt's "The House Behind the Cedars."Published in:2012By:Toth, MargaretPublication type:Essay