WITNESS AND ARCHIVE IN RAVETT AND SALLOUM: PROLEGOMENON TO ANY FUTURE DOCUMENTARY.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching Holocaust survivors in motion pictures
Results: 9
1
2
The American Historical Association Meeting (January 3-6, 2002).
- Published in:
- Film & History (03603695), 2002, v. 32, n. 1, p. 1
- Publication type:
- Article
3
The Remembrance of the Holocaust in Polish Cinematography and Literature vs. Personal Memory in Poland after the War and Now.
- Published in:
- Global Management Journal, 2015, v. 7, n. 1/2, p. 81
- By:
- Publication type:
- Article
4
A Film Unfinished: Yael Hersonski's Re-representation of Archival Footage from the Warsaw Ghetto.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
5
History's Broken Wings: "Narrative Paralysis" as Resistance to History in Amos Gitai's Film Kedma.
- Published in:
- Framework: The Journal of Cinema & Media, 2008, v. 49, n. 1, p. 134, doi. 10.1353/frm.0.0006
- By:
- Publication type:
- Article
6
SCREENING THE HOLOCAUST PERPETRATOR IN LITHUANIA: PURPLE SMOKE (2019) AND IZAOKAS (2019).
- Published in:
- Slavic & East European Journal, 2023, v. 67, n. 3, p. 363
- By:
- Publication type:
- Article
7
(Im)Possible Romance: Intimate Relationships Between Israeli Jews and Non-Jewish Germans in Contemporary Israeli Documentary Cinema.
- Published in:
- Israel Studies, 2021, v. 26, n. 1, p. 149, doi. 10.2979/israelstudies.26.1.08
- By:
- Publication type:
- Article
8
TRAGEDY AND LEVITY: Philippe Mora, Family History and Monsieur Mayonnaise.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
9
Bringing the Psychological Past into the Physical Present: The Formal and Narrative Emergence of Traumatic Memory in Sidney Lumet's The Pawnbroker.
- Published in:
- Holocaust Studies: A Journal of Culture & History, 2009, v. 15, n. 3, p. 57, doi. 10.1080/17504902.2009.11087245
- By:
- Publication type:
- Article