Soutbwark Fair by William Hogarth (1697-1764) really does show Southwark Fair.
- Published in:
- British Art Journal, 2021, v. 22, n. 3, p. 80
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- Publication type:
- Article
Works matching Hogarth, William, 1697-1764
Results: 16
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The shock of the new: William Hogarth (1697-1764) and the influence of Isaac Newton (1642-1727) and his followers.
- Published in:
- British Art Journal, 2021, v. 22, n. 3, p. 8
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- Publication type:
- Article
3
True or false: The haloes of William Hogarth (1697-1764).
- Published in:
- British Art Journal, 2021, v. 22, n. 1, p. 42
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- Publication type:
- Article
4
In the beginning: The trade card of William Hogarth (1697-1764), a first attempt at copper-plate engraving.
- Published in:
- British Art Journal, 2020, v. 21, n. 2, p. 16
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- Publication type:
- Article
5
In the frame? The funeral parson in A Hallot's Progress by William Hogarth (1697-1764).
- Published in:
- British Art Journal, 2020, v. 21, n. 3, p. 58
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- Publication type:
- Article
6
The Graham Children by William Hogarth (1697-1764): The immortalising power of portraiture.
- Published in:
- British Art Journal, 2019, v. 20, n. 1, p. 3
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- Publication type:
- Article
7
Industry and Idleness by William Hogarth (1697-1764) and the 'Doctrine of Opposites'.
- Published in:
- British Art Journal, 2019, v. 20, n. 3, p. 42
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- Publication type:
- Article
8
The Chiswick studio of William Hogarth (1697-1764).
- Published in:
- British Art Journal, 2018, v. 19, n. 2, p. 60
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- Publication type:
- Article
9
William Hogarth (1697-1764), Hudibras and house decoration.
- Published in:
- 2016
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- Publication type:
- Essay
10
William Hogarth (1697-1764) at 250.
- Published in:
- British Art Journal, 2014, v. 15, n. 2, p. 115
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- Publication type:
- Article
11
Johann Hasenclever (1810-53) and William Hogarth (1697-1764).
- Published in:
- British Art Journal, 2011, v. 12, n. 2, p. 74
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- Publication type:
- Article
12
William Hogarth (1697–1764) and Book Illustration I: Hudibras, Quixote and the Littlecote House Murals.
- Published in:
- Theatralia, 2021, v. 24, n. 1, p. 313, doi. 10.5817/TY2021–1-28
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- Publication type:
- Article
13
Refugees, Patriotism, and Hogarth's The Gate of Calais (1748).
- Published in:
- Studies In Ethnicity & Nationalism, 2020, v. 20, n. 3, p. 287, doi. 10.1111/sena.12336
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- Publication type:
- Article
14
T he Line of Beauty in River Designs: Hogarth’s Aesthetic Theory on Capability Brown’s Eighteenth-Century River Design and Twentieth-Century River Restoration Design.
- Published in:
- Landscape Research, 2016, v. 41, n. 1, p. 149, doi. 10.1080/01426397.2015.1073705
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- Publication type:
- Article
15
行善於樂――十八世紀中葉倫敦 扶幼院的藝文形象與英國慈善文化.
- Published in:
- New History / Xin Shixue, 2017, v. 28, n. 1, p. 115
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- Publication type:
- Article
16
A picture of dentistry at Charing Cross in the 1730s given by Hogarth's painting and print of Night. Professional governance, identity and possible mercury intoxication as an occupational hazard for his barber tooth-drawer.
- Published in:
- British Dental Journal, 2007, v. 203, n. 5, p. 265, doi. 10.1038/bdj.2007.791
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- Publication type:
- Article