Ethnicity and Social Critique in Tony Hilleman's Crime Fiction.Published in:Prague Journal of English Studies, 2016, v. 5, n. 1, p. 141, doi. 10.1515/pjes-2016-0008By:Bubíková, ŠárkaPublication type:Article
Kilroy Was There: A GI's War in Photographs.Published in:2005By:Huebner, Andrew J.Publication type:Book Review
Tony Hillerman's Fiction: Crime and Common Grace.Published in:1999By:Chapman, G. ClarkePublication type:Literary Criticism
WHAT WE LOST IN THE PANDEMIC.Published in:Southwestern American Literature, 2021, v. 47, n. 1, p. 5By:Jensen, WilliamPublication type:Article
Kilroy Was There: A GI's War in Photographs.Published in:2005By:Lale, Max S.Publication type:Book Review
ETHNO-POLAR ET ETHNO-PILLARD, OU LES VOLEURS DE TEMPS.Published in:Recherches Amérindiennes au Québec, 2009, v. 39, n. 3, p. 113, doi. 10.7202/045811arBy:Delanoö, NelcyaPublication type:Article
Tony Hillerman's Navajoland: Hideouts, Haunts, and Havens in the Joe Leaphorn and Jim Chee Mysteries.Published in:2003Publication type:Book Review
Ethnocentric guilt in Tony Hillerman's Dance Hall of the Dead.Published in:1997By:Fitz, Brewster E.Publication type:Literary Criticism
Kilroy Was There: A GI's War in Photographs: Photos from the Collection of Frank Kessler.Published in:2005By:Browne, Ray B.Publication type:Book Review