THE ARSENAL OF MEANS USED BY A CONDUCTOR IN DECODING AN OPERA SCORE.Published in:Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 257, doi. 10.24193/subbmusica.2023.2.18By:ICHIM, TRAIANPublication type:Article
A Craftsman and an Old-World Gentleman.Published in:American Recorder, 2016, v. 57, n. 3, p. 20By:Burgess, GeoffreyPublication type:Article
‘So klingt Wien’: Conductors, Orchestras, and Vibrato in the Nineteenth and Early Twentieth Centuries.Published in:2012By:Hurwitz, DavidPublication type:Essay
MONTEVERDI'S ORFEO.Published in:Milton Quarterly, 1970, v. 4, n. 1, p. 12, doi. 10.1111/j.1094-348X.1970.tb01029.xPublication type:Article
King Arthur, or The British Worthy; A Dramatick Opera in Five Acts.Published in:2006By:Harty, Kevin J.Publication type:Arts/Entertainment Review
New Bartók Recordings by Harnoncourt and Kocsis.Published in:2005By:Kárpáti, JánosPublication type:Arts/Entertainment Review