Works matching Hardcore music
1
- Journal of Aesthetics & Art Criticism, 2025, v. 83, n. 1, p. 71, doi. 10.1093/jaac/kpae051
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2
- Journal of International Women's Studies, 2012, v. 13, n. 2, p. 66
- Article
3
- Journal of Popular Culture (Wiley-Blackwell), 1996, v. 30, n. 3, p. 155, doi. 10.1111/j.0022-3840.1996.00155.x
- Article
4
- Czech Ethnological Journal / Český Lid: Etnologický Casopis, 2019, v. 106, n. 1, p. 69, doi. 10.21104/CL.2019.1.04
- Article
6
- Journal of International Women's Studies, 2012, v. 13, n. 2, p. 1
- Muller, Nadine;
- Roy, Srila
- Article
7
- Journal of Youth Studies, 2011, v. 14, n. 8, p. 975, doi. 10.1080/13676261.2011.617733
- Article
8
- 2012
- Overell, Rosemary Therese
- Book Review
9
- Contemporary Justice Review, 2015, v. 18, n. 1, p. 4, doi. 10.1080/10282580.2015.1005502
- Article
10
- Cultural History, 2015, v. 4, n. 1, p. 19, doi. 10.3366/cult.2015.0082
- Article
11
- Punk & Post Punk, 2017, v. 6, n. 3, p. 377, doi. 10.1386/punk.6.3.377_1
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12
- Punk & Post Punk, 2017, v. 6, n. 2, p. 233, doi. 10.1386/punk.6.2.233_1
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13
- Punk & Post Punk, 2016, v. 5, n. 2, p. 111, doi. 10.1386/punk.5.2.111_1
- Way, Lyndon C. S.;
- Wallace, Dylan
- Article
14
- Punk & Post Punk, 2016, v. 5, n. 2, p. 181, doi. 10.1386/punk.5.2.181_1
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15
- Punk & Post Punk, 2016, v. 5, n. 2, p. 131, doi. 10.1386/punk.5.2.131_1
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16
- Music Theory Online, 2015, v. 21, n. 1, p. 1, doi. 10.30535/mto.21.1.3
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17
- Contemporary Islam, 2012, v. 6, n. 3, p. 255, doi. 10.1007/s11562-012-0225-8
- Article
18
- Qualitative Sociology, 2014, v. 37, n. 3, p. 255, doi. 10.1007/s11133-014-9279-7
- Article
19
- Music Analysis, 2013, v. 32, n. 3, p. 363, doi. 10.1111/musa.12013
- Article
20
- Inter-Asia Cultural Studies, 2014, v. 15, n. 4, p. 532, doi. 10.1080/14649373.2014.972636
- Article
21
- Historická Sociologie, 2016, n. 2, p. 113, doi. 10.14712/23363525.2016.12
- Article
22
- Aspeers, 2008, p. 131, doi. 10.54465/aspeers.01-09
- Article
23
- Punk & Post Punk, 2022, v. 11, n. 2, p. 175, doi. 10.1386/punk_00148_1
- Article
24
- Gender & Society, 2017, v. 31, n. 2, p. 223, doi. 10.1177/0891243217694824
- Article
25
- Ethnomusicology Forum, 2014, v. 23, n. 2, p. 184, doi. 10.1080/17411912.2014.926631
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26
- Popular Music & Society, 2025, v. 48, n. 1, p. 41, doi. 10.1080/03007766.2024.2436513
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27
- Forum Historiae, 2020, n. 2, p. 58, doi. 10.31577/forhist.2020.14.2.4
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28
- Polish Review, 2012, v. 57, n. 4, p. 63, doi. 10.5406/polishreview.57.4.0063
- Article
29
- Philosophy Compass, 2016, v. 11, n. 8, p. 415, doi. 10.1111/phc3.12333
- Article
30
- European Journal of Philosophy, 2022, v. 30, n. 1, p. 279, doi. 10.1111/ejop.12632
- Article
31
- Liminalities, 2024, v. 20, n. 1/2, p. 1
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32
- Liminalities, 2024, v. 20, n. 1/2, p. 1
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33
- British Journal of Aesthetics, 2024, v. 64, n. 4, p. 625, doi. 10.1093/aesthj/ayae012
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34
- Music & Letters, 2024, v. 105, n. 2, p. 279, doi. 10.1093/ml/gcae022
- Article
35
- Journal of Fandom Studies, 2022, v. 9, n. 3, p. 253, doi. 10.1386/jfs_00044_1
- Article
36
- Musicology / Hudební Věda, 2022, v. 59, n. 4, p. 315, doi. 10.54759/MUSICOLOGY-2022-0204
- Article
37
- Issues in Ethnology Anthropology, 2018, v. 13, n. 2, p. 439, doi. 10.21301/eap.v13i2.8
- Article