Two or Three Things I Know about Harun Farocki.
- Published in:
- 2015
- By:
- Publication type:
- Obituary
Works matching German filmmakers
Results: 125
1
2
When Heimat Meets Hollywood: German Filmmakers and America, 1985-2005.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
3
New German Filmmakers: From Oberhausen through the 1970s.
- Published in:
- 1985
- By:
- Publication type:
- Book Review
4
When Heimat Meets Hollywood. German Filmmakers and America 1985-2005.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
5
When Heimat Meets Hollywood: German Filmmakers and America, 1985-2005.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
6
When Heimat Meets Hollywood: German Filmmakers and America, 1985-2005.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
7
Straight Through the Heart: Doris Dörrie, German Filmmaker and Author.
- Published in:
- 2006
- By:
- Publication type:
- Book Review
8
"SPACE WITHOUT PEOPLE": Austro-German Filmmaker, Bestselling Author, and Journalist Colin Ross Discovers Australia.
- Published in:
- Journeys, 2016, v. 17, n. 2, p. 5, doi. 10.3167/jys.2016.170202
- By:
- Publication type:
- Article
9
An ecoaesthetic of vegetal surfaces: on Seed, Image, Ground as soft montage.
- Published in:
- Journal of Visual Art Practice, 2021, v. 20, n. 1/2, p. 16, doi. 10.1080/14702029.2021.1917858
- By:
- Publication type:
- Article
10
Karl Ritter.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
11
Werner Herzog: Interviews, Ed. Eric Ames. Jackson, MS: University Press of Mississippi, 2014. 193 pp.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
12
Die Filme Fatih Akins.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
13
"Arbeiten, als sei nichts geschehen": Ideologies of Work in Wolfgang Staudte's Die Mörder sind unter uns.
- Published in:
- German as a Foreign Language, 2013, n. 3, p. 82
- By:
- Publication type:
- Article
14
Christian Petzold.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
15
Walter Ruttmann and the Cinema of Multiplicity: Avant-Garde - Advertising - Modernity.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
16
Film Spaces, Memory Traces: The Family House in Recha Jungman's Etwas tut weh (1979).
- Published in:
- Konturen, 2022, v. 12, p. 73, doi. 10.5399/uo/konturen.12.0.4916
- By:
- Publication type:
- Article
17
The Aesthetic Hyper-Object in Experimental Short Film Practices: Lina Sieckmann and Miriam Gossing's Art Documentaries.
- Published in:
- Konturen, 2022, v. 12, p. 47, doi. 10.5399/uo/konturen.12.0.4915
- By:
- Publication type:
- Article
18
The Image of America in German Literature and in the New German Cinema Wim Wenders The American Friend.
- Published in:
- Literature Film Quarterly, 1979, v. 7, n. 2, p. 215
- By:
- Publication type:
- Article
19
THE HERO AND THE GROUP: RETHINKING THE WORLD WAR II RESISTANCE FILM IN AMERICA, FRANCE, AND ITALY.
- Published in:
- Film & History (03603695), 1992, v. 22, n. 4, p. 134
- By:
- Publication type:
- Article
20
A Note from the Guest Editor.
- Published in:
- Opera Quarterly, 2016, v. 32, n. 1, p. 1, doi. 10.1093/oq/kbw006
- By:
- Publication type:
- Article
21
Counter-Music: Harun Farocki's Theory of a New Image Type.
- Published in:
- October, 2015, n. 151, p. 127, doi. 10.1162/OCTO_a_00207
- By:
- Publication type:
- Article
22
Malevich and Richter: An Indeterminate Encounter.
- Published in:
- October, 2013, n. 143, p. 52, doi. 10.1162/OCTO_a_00131
- By:
- Publication type:
- Article
23
Introduction: Turkish–German dialogues on screen.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2009, v. 7, n. 1, p. 3, doi. 10.1386/ncin.7.1.3_2
- By:
- Publication type:
- Article
24
No place like home? Or impossible homecomings in the films of Fatih Akin.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2006, v. 4, n. 3, p. 141, doi. 10.1386/ncin.4.3.141_1
- By:
- Publication type:
- Article
25
Postscript. Intersecting lines: Sergei Eisenstein writes to Ludwig Klages.
- Published in:
- Critical Quarterly, 2017, v. 59, n. 1, p. 113, doi. 10.1111/criq.12325
- By:
- Publication type:
- Article
26
‘Only one noble topic remained: the workers.’ Sympathy, subtlety and subversion in East German documentary films.
- Published in:
- Studies in Eastern European Cinema, 2015, v. 6, n. 1, p. 49, doi. 10.1080/2040350X.2014.992130
- By:
- Publication type:
- Article
27
Cannibals, carnival and clowns: the grotesque in German unification films.
- Published in:
- Studies in Eastern European Cinema, 2014, v. 5, n. 2, p. 124, doi. 10.1080/17411548.2014.925333
- By:
- Publication type:
- Article
28
A CONVERSATION WITH CHRISTOPH GIRARDET & MATTHIAS MÜLLER.
- Published in:
- 2021
- By:
- Publication type:
- Interview
29
PERSONNE: THE DISAPPEARANCE OF THE WHITE MAN.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
30
A HAUNTED HOUSE: THE OMINOUS ABODES OF CHRISTOPH GIRARDET AND MATTHIAS MÜLLER.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
31
ANIMAL ATTRACTION.
- Published in:
- History Today, 2021, v. 71, n. 4, p. 40
- By:
- Publication type:
- Article
32
Framing contagious images: The Formation of Early Holocaust Memory through Migrating Film Footage from the Nazi Era.
- Published in:
- Historical Journal of Film, Radio & Television, 2025, v. 45, n. 2, p. 329, doi. 10.1080/01439685.2025.2496042
- By:
- Publication type:
- Article
33
Harun Farocki: Forms of Intelligence: Nora M. Alter, 2024, New York, Columbia University Press, pp. xiv + 258, illus., $140.00 (cloth), $35.00 (paper).
- Published in:
- 2025
- By:
- Publication type:
- Book Review
34
'Front in Farbe': Color Cinematography for the Nazi Newsreel, 1941-1945.
- Published in:
- Historical Journal of Film, Radio & Television, 2011, v. 31, n. 1, p. 43, doi. 10.1080/01439685.2011.552680
- By:
- Publication type:
- Article
35
Bruce Chatwin e Werner Herzog, livro e filme: vidas entrelaçadas.
- Published in:
- Revista Soletras, 2016, n. 32, p. 67
- By:
- Publication type:
- Article
36
O romance O vice-rei de Uidá, de Bruce Chatwin, e o filme Cobra verde, de Werner Herzog: um estudo da transposição midiática.
- Published in:
- Alceu: Revista de Comunicação, Cultura e Política, 2018, v. 19, n. 36, p. 36
- By:
- Publication type:
- Article
37
The camera goes down the streets. Dans les rues (Victor Trivas, 1933) and the Paris of the German émigrés.
- Published in:
- Modern & Contemporary France, 2000, v. 8, n. 3, p. 325, doi. 10.1080/09639480050057338
- By:
- Publication type:
- Article
38
A Film Unfinished: Yael Hersonski's Re-representation of Archival Footage from the Warsaw Ghetto.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
39
The Face of the Bandit: Racism and the Slave Trade in Herzog's Cobra Verde.
- Published in:
- Film Criticism, 2004, v. 28, n. 3, p. 2
- By:
- Publication type:
- Article
40
All the World's Futures: The Venice Biennale 2015.
- Published in:
- 2015
- By:
- Publication type:
- Art Exhibition Review
41
A room to breathe in between the images: an interview with Aysun Bademsoy.
- Published in:
- Studies in European Cinema, 2014, v. 11, n. 2, p. 106, doi. 10.1080/17411548.2014.958376
- By:
- Publication type:
- Article
42
In Memoriam Tatjana Turanskyj, 1967-2021.
- Published in:
- Feminist German Studies, 2022, v. 38, n. 1, p. ix, doi. 10.1353/fgs.2022.0000
- Publication type:
- Article
43
IMAGENS DE NIETZSCHE NO CINEMA DE BÉLA TARR: A GENEALOGIA DA MORAL EM SATANTANGO.
- Published in:
- Revista Foco (Interdisciplinary Studies Journal), 2022, v. 15, n. 2, p. 1, doi. 10.54751/revistafoco.v15n2-014
- By:
- Publication type:
- Article
44
"An eye that saw more lofty things than mortal eye is now struck blind" (Hölderlin): German politics and aesthetics in Jean-Marie Straub and Danièle Huillet's Der Tod des Empedokles (1986) and Jean-Luc Godard's Allemagne année 90 neuf zéro (1991)
- Published in:
- Journal of Aesthetics & Culture, 2022, v. 14, n. 1, p. 1, doi. 10.1080/20004214.2022.2084811
- By:
- Publication type:
- Article
45
Kulturelles Erbe und Arbeit im Exil: Die deutschsprachige Literatur und der internationale Film (1933–1945).
- Published in:
- Oxford German Studies, 2023, v. 52, n. 3, p. 350, doi. 10.1080/00787191.2023.2227497
- By:
- Publication type:
- Article
46
Remembering the Stasi in a Fairy Tale of Redemption: Florian Henckel von Donnersmarck's Das Leben der Anderen.
- Published in:
- Oxford German Studies, 2009, v. 38, n. 3, p. 321, doi. 10.1179/007871909x475625
- By:
- Publication type:
- Article
47
BELONGING TO THE INTERWAR WORLD: Tracing the Travelogues of Colin Ross.
- Published in:
- Moving Image (15323978), 2018, v. 18, n. 2, p. 72, doi. 10.5749/movingimage.18.2.0072
- By:
- Publication type:
- Article
48
LOVE, HISTORY, AND MAX OPHULS.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
49
Oskar Messter--forgotten pioneer of German cinema.
- Published in:
- Historical Journal of Film, Radio & Television, 1995, v. 15, n. 4, p. 569, doi. 10.1080/01439689500260431
- By:
- Publication type:
- Article
50
introduction: 'A Fragmented Stew of "Themes" and "Issues"'.
- Published in:
- Cultural Studies Review, 2008, v. 14, n. 1, p. 11
- By:
- Publication type:
- Article