Works matching Georges Bizet
1
- 2013
- Arts/Entertainment Review
5
- Annals of 'Dunarea de Jos' of Galati: ARTS Research, 2021, v. 5, p. 1
- Article
6
- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 297, doi. 10.24193/subbmusica.2021.2.21
- Article
7
- Notes, 2024, v. 80, n. 3, p. 572, doi. 10.1353/not.2024.a919064
- Article
8
- Notes, 2021, v. 78, n. 1, p. 1, doi. 10.1353/not.2021.0079
- Article
9
- Cahiers Victoriens & Edouardiens, 2017, n. 86, p. 1, doi. 10.4000/cve.3387
- Article
10
- International Journal on Humanistic Ideology, 2011, v. 4, n. 1, p. 95
- Article
11
- Revista Philósophos, 2015, v. 20, n. 1, p. 145
- Article
12
- Journal of Academic Social Science Studies, 2023, v. 16, n. 96, p. 211, doi. 10.29228/JASSS.68814
- Article
13
- Africa Research Bulletin: Political, Social & Cultural Series, 2005, v. 42, n. 2, p. 16129
- Article
16
- American String Teacher, 2008, v. 58, n. 2, p. 72
- Article
18
- REVART: Specialized Review of Theory & Critique of Arts, 2018, n. 30, p. 85
- Article
19
- International Journal of Interdisciplinary Social Sciences, 2010, v. 5, n. 6, p. 193, doi. 10.18848/1833-1882/CGP/v05i06/51757
- Article
20
- 2009
- Arts/Entertainment Review
21
- Journal of Musicological Research, 2009, v. 28, n. 4, p. 282, doi. 10.1080/01411890903210511
- Article
22
- Journal of African Cinemas, 2019, v. 11, n. 3, p. 241, doi. 10.1386/jac_00019_1
- Article
23
- Histoires Littèraires, 2022, v. 23, n. 89, p. 63
- Article
24
- CounterPunch, 2023, p. 1
- Article
25
- Opera Quarterly, 2007, v. 23, n. 2/3, p. 247
- Article
30
- Opera Journal, 2013, v. 46, n. 2, p. 3
- Castro-Ramírez, Luis Gustavo
- Article
31
- Music & Letters, 2016, v. 97, n. 2, p. 355, doi. 10.1093/ml/gcw024
- Article
32
- Cambridge Opera Journal, 2021, v. 2, n. 3, p. 154, doi. 10.1017/S0954586721000033
- Article
33
- Cambridge Opera Journal, 2020, v. 32, n. 2/3, p. 154, doi. 10.1017/S0954586721000033
- Article
34
- Cambridge Opera Journal, 2016, v. 28, n. 2, p. 215, doi. 10.1017/S0954586716000288
- Mordey, Delphine;
- Tunbridge, Laura;
- Walton, Benjamin
- Article
35
- Cambridge Opera Journal, 2016, v. 28, n. 2, p. 221, doi. 10.1017/S0954586716000276
- Cenciarelli, Carlo;
- Tunbridge, Laura;
- Walton, Benjamin
- Article
36
- Research in African Literatures, 2016, v. 47, n. 2, p. 84, doi. 10.2979/reseafrilite.47.2.06
- Article
37
- Word & Image, 1993, v. 9, n. 1, p. 19, doi. 10.1080/02666286.1993.10435855
- Article
38
- Dance Research, 2008, v. 26, n. 2, p. 189, doi. 10.3366/E0264287508000182
- Article
40
- Critical Quarterly, 1993, v. 35, n. 2, p. 38, doi. 10.1111/j.1467-8705.1993.tb00465.x
- Article
41
- Journal of the Musical Arts in Africa, 2016, v. 13, n. 1/2, p. 53, doi. 10.2989/18121004.2016.1263908
- Viljoen, Santisa;
- Wenzel, Marita
- Article
42
- Theatre Design & Technology (TD&T), 2014, v. 50, n. 4, p. 13
- Article
44
- Humanities & Social Science (1407-9291), 2008, v. 8, n. 13, p. 116
- Article
45
- Music Educators Journal, 2016, v. 103, n. 1, p. 16, doi. 10.1177/0027432116660539
- Article
46
- History Today, 2018, v. 68, n. 3, p. 22
- Article
47
- String Research Journal, 2019, v. 9, n. 1, p. 35, doi. 10.1177/1948499219851378
- Article
49
- Prace Etnograficzne, 2014, v. 42, n. 2, p. 109, doi. 10.4467/22999558.PE.14.008.2831
- Ziółkowska-Kuflińska, Magdalena
- Article
50
- Journal of African Cinemas, 2016, v. 8, n. 2, p. 155, doi. 10.1386/jac.8.2.155_1
- Article