The African Grove Theatres, Then and Now: Performance as Activism.Published in:Nineteenth Century Theatre & Film, 2025, v. 52, n. 1, p. 94, doi. 10.1177/17483727251324211By:Gibbs, Jenna M.Publication type:Article
NEW ENGLAND THEATRE IN REVIEW.Published in:New England Theatre Journal, 2005, v. 16, p. 153By:Mikotowicz, TomPublication type:Article
Currents of Memory: Ancestral Waters in Henry Dumas's “Ark of Bones” and August Wilson's Gem of the Ocean.Published in:2009By:Wardi, Anissa JaninePublication type:Literary Criticism
Gem of the Ocean (Theatrical Production).Published in:2003By:Wilson, Melinda D.Publication type:Arts/Entertainment Review
WALTER MOSLEY, AUGUST WILSON, AND MOSAICS OF MEMORY.Published in:Callaloo, 2016, v. 39, n. 3, p. 695, doi. 10.1353/cal.2016.0096By:McCluskey Jr., JohnPublication type:Article
Framing African American Cultural Identity: The Bookends Plays in August Wilson's 10-Play Cycle.Published in:2009By:Shannon, Sandra G.Publication type:Literary Criticism
In Dreams I Am a Person of Color.Published in:Psychological Perspectives, 2023, v. 66, n. 4, p. 536, doi. 10.1080/00332925.2023.2311552By:Lowinsky, Naomi RuthPublication type:Article
Rocking the Boat: The Value of Revolutionary Black Masculinity and Critiquing Neoliberal Capitalism in Gem of the Ocean and Radio Golf.Published in:2014By:Pittman, ElizabethPublication type:Essay