A portrait of Thomas Gainsborough (1727-1788) at Santa Barbara Museum of Art.
- Published in:
- British Art Journal, 2018, v. 19, n. 2, p. 54
- By:
- Publication type:
- Article
Works matching Gainsborough, Thomas, 1727-1788
Results: 48
1
2
THOMAS GAINSBOROUGH, PAINTER, 1727–1788.
- Published in:
- Notes & Queries, 1896, v. 9, n. 235, p. 509
- By:
- Publication type:
- Article
3
根茲巴羅風景畫研究的變遷及 其意義--------- 個藝術史學史的考察.
- Published in:
- New History / Xin Shixue, 2016, v. 27, n. 2, p. 151
- By:
- Publication type:
- Article
4
Stolen paintings from the Montreal Museum of Fine Arts.
- Published in:
- Journal of Art Crime, 2011, n. 5, p. 47
- Publication type:
- Article
5
ART IN PUBLIC SCHOOLS.--(XIV.).
- Published in:
- Journal of Education, 1899, v. 49, n. 17, p. 260, doi. 10.1177/002205749904901705
- By:
- Publication type:
- Article
6
Free Time, Free Spirit: Popular Entertainments in Gainsborough's Era.
- Published in:
- Huntington Library Quarterly, 2007, v. 70, n. 2, p. 209, doi. 10.1525/hlq.2007.70.2.209
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- Publication type:
- Article
7
Gainsborough's Show Box: Illusion and Special Effects in Eighteenth-Century Britain.
- Published in:
- Huntington Library Quarterly, 2007, v. 70, n. 2, p. 203, doi. 10.1525/hlq.2007.70.2.203
- By:
- Publication type:
- Article
8
Thomas Gainsborough and the "thin brilliant Style of Pencilling of Vandyke".
- Published in:
- Huntington Library Quarterly, 2003, v. 66, n. 1/2, p. 81
- By:
- Publication type:
- Article
9
Thomas Gainsborough and the Modern Woman.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
10
"The aged pollard's shade": Gainsborough's "Landscape with Woodcutter and Milkmaid."
- Published in:
- Eighteenth-Century Studies, 2007, v. 41, n. 1, p. 17, doi. 10.1353/ecs.2007.0066
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- Publication type:
- Article
11
On the Road.
- Published in:
- Eighteenth-Century Studies, 2003, v. 36, n. 4, p. 564, doi. 10.1353/ecs.2003.0045
- By:
- Publication type:
- Article
12
Exhibition review.
- Published in:
- 1999
- By:
- Publication type:
- Arts/Entertainment Review
13
Splendid impositions: Gainsborough, Berkeley, Hume.
- Published in:
- Eighteenth-Century Studies, 1998, v. 31, n. 4, p. 403
- By:
- Publication type:
- Article
14
Lord Egremont's Dogs: The Cynosure of Turner's Petworth Landscapes.
- Published in:
- ELH, 2006, v. 73, n. 4, p. 855, doi. 10.1353/elh.2006.0034
- By:
- Publication type:
- Article
15
Class, Gender, and Sexuality in Thomas Gainsborough's Blue Boy.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
16
How a Lost Painting Endured: Gainsborough's Woodman, Macklin's Poets' Gallery, and Miss Linwood's Needle Painting.
- Published in:
- Southeastern College Art Conference Review, 2013, v. 16, n. 3, p. 251
- By:
- Publication type:
- Article
17
THOMAS GAINSBOROUGH: Experiments in Drawing.
- Published in:
- 2018
- By:
- Publication type:
- Art Exhibition Review
18
Sir Norman Rosenthal.
- Published in:
- 2014
- By:
- Publication type:
- Interview
19
ANIMALS AS 18TH-CENTURY TEXT: THE CONTEXTUALIZED PRACTICE OF GOLDSMITH'S WRITING AND GAINSBOROUGH'S PAINTING.
- Published in:
- 2004
- By:
- Publication type:
- Literary Criticism
20
The 'infant' drawings of Sir Thomas Lawrence (1769-1830).
- Published in:
- British Art Journal, 2020, v. 21, n. 3, p. 32
- By:
- Publication type:
- Article
21
GAINSBOROUGH'S HOUSE, SUDBURY: A MAJOR NEW ART CENTRE.
- Published in:
- British Art Journal, 2020, v. 21, n. 3, p. 2
- Publication type:
- Article
22
A Coastal Landscape (129).
- Published in:
- 2019
- Publication type:
- Art Reproduction
23
Lives of Gainsborough.
- Published in:
- 2019
- Publication type:
- Book Review
24
Thomas Gainsborough: The Portraits, Fancy Pictures and Copies after Old Masters.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
25
Thomas Gainsborough: Die moderne Landschaft.
- Published in:
- 2018
- By:
- Publication type:
- Art Exhibition Review
26
Landscape with a pool.
- Published in:
- 2018
- Publication type:
- Art Reproduction
27
Gainsborough's Landscape: Themes and Variations.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
28
'Disrobing Suky': one mistress, but two masters?
- Published in:
- British Art Journal, 2011, v. 12, n. 3, p. 9
- By:
- Publication type:
- Article
29
Thomas Gainsborough's first Self-portrait.
- Published in:
- British Art Journal, 2011, v. 12, n. 1, p. 52
- By:
- Publication type:
- Article
30
Thomas Gainsborough RA: Pastoral pleasure and the Showbox.
- Published in:
- British Art Journal, 2007, v. 8, n. 3, p. 60
- By:
- Publication type:
- Article
31
'Gainsborough's Dogs.'.
- Published in:
- 2006
- Publication type:
- Arts/Entertainment Review
32
Gainsborough Dupont (1754-97) and Thomas Gainsborough (1727-88).
- Published in:
- British Art Journal, 2006, v. 7, n. 1, p. 45
- By:
- Publication type:
- Article
33
Thomas Gainsborough's 'lost' portrait of Auguste Vestris.
- Published in:
- British Art Journal, 2003, v. 4, n. 1, p. 64
- By:
- Publication type:
- Article
34
Gainsborough's classically ambivalent wife.
- Published in:
- British Art Journal, 2001, v. 3, n. 1, p. 78
- By:
- Publication type:
- Article
35
Gainsborough's classically virtuous wife.
- Published in:
- British Art Journal, 2000, v. 2, n. 2, p. 75
- By:
- Publication type:
- Article
36
Leighton House Museum.
- Published in:
- 2000
- By:
- Publication type:
- Arts/Entertainment Review
37
ON THE MARKET.
- Published in:
- British Art Journal, 1999, v. 1, n. 1, p. 83
- Publication type:
- Article
38
Gainsborough's Mrs Siddons.
- Published in:
- British Art Journal, 1999, v. 1, n. 1, p. 38
- By:
- Publication type:
- Article
39
Mixing, dipping, and fixing: the experimental drawing techniques of Thomas Gainsborough.
- Published in:
- Heritage Science, 2020, v. 8, n. 1, p. N.PAG, doi. 10.1186/s40494-020-00431-x
- By:
- Publication type:
- Article
40
Cultivating Colour: Making Mayan Blue from Woad.
- Published in:
- Third Text, 2018, v. 32, n. 2/3, p. 330, doi. 10.1080/09528822.2018.1492799
- By:
- Publication type:
- Article
41
Thomas Gainsborough's Ann Ford.
- Published in:
- Art Bulletin, 1998, v. 80, n. 4, p. 649, doi. 10.2307/3051317
- By:
- Publication type:
- Article
42
Thomas Gainsborough: Artist of a Changing World.
- Published in:
- History Today, 2002, v. 52, n. 11, p. 16
- By:
- Publication type:
- Article
43
Gainsborough's House.
- Published in:
- History Today, 1995, v. 45, n. 10, p. 62
- By:
- Publication type:
- Article
44
“A beautiful assemblage of an interesting nature” : Gainsborough’s Charity Relieving Distress and the Reconciliation of High and Low Art.
- Published in:
- 2015
- By:
- Publication type:
- Essay
45
Thomas Gainsborough and the picturesque sketch.
- Published in:
- Word & Image, 1997, v. 13, n. 4, p. 392, doi. 10.1080/02666286.1997.10434299
- By:
- Publication type:
- Article
46
Gainsborough's Diversions.
- Published in:
- 1997
- By:
- Publication type:
- Essay
47
Adam Worth: A Critical Analysis of the Criminal Motivations Behind the Man Who Stole the Duchess of Devonshire.
- Published in:
- Journal of Art Crime, 2014, n. 12, p. 33
- By:
- Publication type:
- Article
48
A Death in the Family: Posthumous Portraiture in Eighteenth-Century England.
- Published in:
- Art History, 2010, v. 33, n. 1, p. 74, doi. 10.1111/j.1467-8365.2009.00717.x
- By:
- Publication type:
- Article